A Quote by Jeremy Podeswa

I'm very attracted to schematic structures. My brother is a chemical engineer, he has a very mathematical mind, and he's also a visual artist. I think we have a lot in common. And my first film had a very tight structure, narratively.
Einstein was very attracted to Mozart. There's a mathematical, classical structure to the music, and I think he identified with that very strongly. I think there also is a connection between being a genius and a polymath.
I did not grow up watching much TV and film. I had a very, very, very, very, very, very church family, and a lot of, like, secular stuff was not around my house.
I used to feel more straight for certain months and then just think about boys all the time I'm attracted to women who are very, very boyish. I'm not very big on big mammaries. I have a tendency to be attracted to very, very boyish girls. And usually very feminine men.
At uni I met a lot of people I had nothing in common with. Some were very clever, some very rich, some very sporty. Some of them became my best friends, but not at first. Having things in common isn't always the best start to a friendship. I'd stick with it! Also, try to chat to people when they're on their own. So many people feel they need to perform in big groups.
Austin is a big music town, so growing up, I had a lot of local heroes. Toni Price I was very, very into; she was one of the first people I tried to emulate. She's a local Austin blues artist. Marsha Paul I was also a very big fan of.
It turns out that hyperbolic structures are very common in nature, and the place where lots of people encounter them is coral reefs. Sea slugs, and a lot of other organisms with frilly forms, are biological manifestations of hyperbolic geometry, which is also found in the structure of lettuce leaves and kales, and some species of cactus.
I like Taika Waititi a lot. I thought 'Boy' was a really wonderful film, had great resonance. Very sad but also very funny. I thought 'What We Do in the Shadows,' the vampire film, was fantastic.
My father was an electrical engineer. He's presently 92 and still could be holding down a job. He had a very analytical way of looking at things, and I enjoyed that very much. I think that was a very large influence.
I think I've made a lot of sacrifices. I work very, very hard. I've created thousands and thousands of jobs, tens of thousands of jobs, built great structures. I've had tremendous success. I think I've done a lot.
I'm one of 3; I have a 16-year-old sister and an 11-year-old brother. We're all very close. We're an interesting family, and we moved a lot when I was younger. I feel like we are very tight knit because we had to sort of jump and leave places and start over again and again.
My very first records, I was very interested in how you get the particular quality you want out of it, and I began to learn about the engineering and aspects of production and things very early on. I got hands-on with the process and taught myself how to engineer, as opposed to just being a producer who asked the engineer to make it sound nice.
I'm very, very serious about what I do. I think there are a lot of people out there sort of thinking it's anybody's game. You know, "You pick up a camera and you make a movie." My experiences over the years have taught me there's a lot more than that to making a film - there's also getting the film seen, and all kinds of complex realities.
I think you need to be able to see a lot of negative in things in order to extract material, so there's probably something to that. A lot of the people I used to work with were very, very, very unfunny offstage, so that's a pretty common thing.
I think, by nature you know, I'm very attracted and I gravitate toward the very strong girl who can watch a ballgame, but who's also extremely feminine.
Postpartum depression is very, very common but a lot of people just don't recognize that they have it. A lot of physicians also don't ask (patients) about it, so it's a problem from both sides.
I think naturally I'm a very visual kind of person. If I wasn't in filmmaking, I'd be in something related to visuals. And I used to actually work as a visual-effects artist.
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