A Quote by Jeremy Podeswa

I am working with writers and producers to have a more proprietary relationship over shows, having more ownership and creative control. — © Jeremy Podeswa
I am working with writers and producers to have a more proprietary relationship over shows, having more ownership and creative control.
Audiences, as they get smaller, can intensify their relationship with the product, and so can the creative relationship with the people that you are serving. The good news is that, the more shows there are, the less the conglomerates have to gain by breaking the will of each individual creative.
The more shows that are produced, the more writers are hired, producers are hired, actors are hired, directors are hired, it means the more people will get employed. It's better for the economy. It's a fantastic thing.
As you progress as a basketball player, the world around you becomes more and more chaotic. There's more talent, there are more distractions - and these are all factors that create a lack of control. By having a routine, by having habits that I can fall back on, it's my way of enacting control. It's the only thing I can control.
Smaller government, more individual responsibility, more individual control creates more Republicans. More state power and ownership and control and top-down decision-making creates more Democrats.
There's so much control, so many executive producers, so many people looking over their shoulder, so many people trying to second-guess the boss. The space for writers and directors and actors to be creative is zilch.
When you work for others, you are at their mercy. They own your work; they own you. Your creative spirit is squashed. What keeps you in such positions is a fear of having to sink or swim on your own. Instead you should have a greater fear of what will happen to you if you remain dependent on others for power. Your goal in every maneuver in life must be ownership, working the corner for yourself. When it is yours, it is yours to lose - you are more motivated, more creative, more alive. The ultimate power in life is to be completely self-reliant, completely yourself.
There is an electricity about a friendship relationship. We are both more relaxed and more sensitive, more creative and more reflective, more energetic and more casual, more excited and more serene. It is as though when we come in contact with our friend we enter into a different environment.
In Britain, we haven't got enough money to make these long-running shows. We always do little mini ones. You have more control as an actor over what you want to do with it. On these you drive yourself mad trying to know what's going to happen, because the writers don't.
One of my favorite things about working on 'Liv and Maddie' is the creative environment that has been designed for us by our lovely director, producers, and writers.
I've been working on my relationship with my parents and my sister over the years. We have become more close. I think having kids makes you want to keep the gang together.
Many people believe that decentralization means loss of control. That's simply not true. You can improve control if you look at control as the control of events and not people. Then, the more people you have controlling events - the more people you have that care about controlling the events, the more people you have proactively working to create favorable events - the more control you have within the organization, by definition.
Contemporary research shows that happy people are more altruistic, more productive, more helpful, more likable, more creative, more resilient, more interested in others, friendlier, and healthier. Happy people make better friends, colleagues, and citizens.
When you make a commitment to a relationship, you invest your attention and energy in it more profoundly because you now experience ownership of that relationship.
The early years of Hanna-Barbera were more fun than the later ones. I was working more in the creative areas of timing and direction then. But as the studio grew, I became more involved in administration and got away from the creative aspects.
The reason why the world's leftists give the world' s most horrible murderers a pass is because they sympathize with their socioeconomic goals, which include government ownership and/or control over the means of production. In the U.S., the call is for government control, through regulations, as opposed to ownership.
Even though you're in charge, you're not completely in ownership. You know, the audience takes a huge ownership of your show. Look at comments about shows and tell me if I'm wrong. Look at shows like 'The Walking Dead' and the ownership that the audience has of that show.
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