A Quote by Jeremy Strong

I've always wanted to be part of stories about social justice - urgent, meaningful, substantial dramas. — © Jeremy Strong
I've always wanted to be part of stories about social justice - urgent, meaningful, substantial dramas.
After graduation, I wanted to work for 'Sassy', which I loved, but it had folded. So I wound up at 'Seventeen' for three years on staff and two as a contributor, and I wrote these great stories that nobody ever believes 'Seventeen' does. Serious stories for teens about social justice issues - gun control, migrant farm workers.
Social justice has always been a part of my inspiration. For example, when the Vietnam War was going on, I wrote a song about that.
Climate change is one of those stories that deserves more attention, that we all talk about, but we haven't figured out how to engage the audience in that story in a meaningful way. When we do do those stories, there does tend to be a tremendous amount of lack of interest on the audience's part.
There are many dramas that I would like to make: dramas based on real stories. It's approaching things from the other side.
Social justice is a cancer. Social justice means you are ruled by whatever the mob does. What social justice does is destroy individual responsibility.
I know I've erred in the past putting too much of my social justice sentiments in comics, but hopefully not too much, and I tried to only do that with characters that it made sense with it. These days, with the 'social justice' aspects of the two books I write, 'Catwoman' and 'Katana,' the concerns are more about moral justice.
I think I'm interested in these kinds of character dramas, psychological dramas, domestic dramas, whatever you want to call them - comedy dramas.
I wanted the audience to write stories and then read them out if they wanted to. It's always the best part of the show because people are so imaginative.
Social justice is collectivism. Social justice is the rights of a group. It denies individual responsibility. It's a negation of individual responsibility, so social justice is totally contrary to the Word of God.
I beg you, look for the words 'social justice' or 'economic justice' on your church Web site. If you find it, run as fast as you can. Social justice and economic justice, they are code words.
In its pursuit of justice for a segment of society, in disregard of the consequences for society as a whole, what is called 'social justice' might more accurately be called anti-social justice, since what consistently gets ignored or dismissed are precisely the costs to society. Such a conception of justice seeks to correct, not only biased or discriminatory acts by individuals or by social institutions, but unmerited disadvantages in general, from whatever source they may arise.
I want you to understand that racial justice is not about justice for those who are black or brown; racial justice is about American justice. Justice for LGBT Americans is not about gay and lesbian justice; it's about American justice. Equality for women isn't about women; it's about United States equality. You cannot enjoy justice anywhere in this country until we make sure there is justice everywhere in this country.
I sort of was inspired by 'Friday Night Lights,' where it was a very different show, but similar in that they were both large ensemble dramas where you had many stories going on at once. I wanted to do a show that shared that element, and that's really why I wanted to develop 'Parenthood' as a series.
As an activist, you do find yourself directed more toward public action. But I've always tried to use stories from my own life in my writing for instance. It has always been clear to me that the stories of each other's lives are our best textbooks. Every social justice movement that I know of has come out of people sitting in small groups, telling their life stories, and discovering that other people have shared similar experiences. So, if we've shared many experiences, then it probably has something to do with power or politics, and if we unify and act together, then we can make a change.
I don't know if it's a misconception, but I often get asked why I always make stories about family and love. Over the years, I´ve also directed commercials, a children's film, and TV - dramas (both comedic and darker), because I always feel the urge to go in a different direction with my next project.
I'm always trying to look for how I can find human stories that aren't just dramas.
This site uses cookies to ensure you get the best experience. More info...
Got it!