A Quote by Jerry Hall

There's a kind of telepathy that goes on with the photographer and model. — © Jerry Hall
There's a kind of telepathy that goes on with the photographer and model.
Well, I'm not going to get into that. I think that those kind of distinctions and lists of titles like "street photographer" are so stupid. I'm a photographer, a still photographer. That's it.
Well, I hate to admit it, but it is possible that there is (one) such a thing as telepathy and (two) that the CETI project's idea that we might communicate with extraterrestrial beings via telepathy is possibly a reasonable idea--if telepathy exists and if ETIs exist. Otherwise we are trying to communicate with someone who doesn't exist with a system which doesn't work.
Because of technology, we don't develop telepathy. We don't use telepathy, but use, you know, the mobile phones. Why?
You do your work as a photographer and everything becomes past. Words are more like thoughts; the photographer's picture is always surrounded by a kind of romantic glamor - no matter what you do, and how you twist it.
I've never not been sure that I was a photographer any more than you would not be sure you were yourself. I was a photographer, or wanting to be a photographer, or beginning - but some phase of photographer I've always been.
I became a photographer in order to be a war photographer, and a photographer involved in what I thought were critical social issues. From the very beginning this was my goal.
Fixing is the illness model; acceptance is the identity model; which way any family goes reflects their assumptions and resources.
I think that when you're an actress, you have to think about what kind of a role model you're going to be. I hope that I'm a good role model for young girls. I'm not going to, if people still want me in their movies, I don't want to be one of these girls who goes around partying every night and is in rehab. I don't want to do that.
Please remember one lesson of the 20th century. One cannot force happiness, impose happiness on nations by imposing any kind of utopia on others. The Communist model of society was a kind of imposed utopia for which the Russian people in particular paid a great price. Still, sometimes we see that attempts are being made to impose some other kind of model on the entire world - maybe a Westernized or Americanized model... This is not the way to go because this can only create conflict.
It is an interesting fact about model selection that the evidence at hand can indicate that a model known to be false will be more predictively accurate than a model known to be true. This opens the door to a kind of instrumentalism.
What distinguishes a mathematical model from, say, a poem, a song, a portrait or any other kind of "model," is that the mathematical model is an image or picture of reality painted with logical symbols instead of with words, sounds or watercolors.
There was a 3-foot-long model that was built for 'New Hope,' and then there was an 8-foot model that was built for 'Empire Strikes Back.' The 8-foot model and the 3-foot model are kind of different. A lot of the details are different between the two of them.
I got a camera when I was nine years old and it wasn't until I was a model that I realized you could be a photographer for a job.
Every time I take a photo, it goes into SnapSeed. Even if it's just a price tag on something, it still goes into SnapSeed, and I start editing it. I'm not a photographer, so I need all the help I can get when it comes to make a picture look cool.
Billions of photos are shot every year, and about the toughest thing a photographer can do is invent an original, deeply personal, instantly recognizable visual style. In the early nineties, Wolfgang Tillmans did just that, transforming himself into a new kind of artist-photographer of modern life.
The horrible thing is, as a model, it wasn't that unusual to be in a weird situation where a photographer or someone feels they have a right to your body.
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