A Quote by Jerry Saltz
It took me twenty years to get Steven Parrino's work. From the time I first saw his art, in the mid-eighties, I almost always dismissed it as mannered, Romantic, formulaic, conceptualist-formalist heavy-metal boy-art abstraction.
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Imagine it's 1981. You're an artist, in love with art, smitten with art history. You're also a woman, with almost no mentors to look to; art history just isn't that into you. Any woman approaching art history in the early eighties was attempting to enter an almost foreign country, a restricted and exclusionary domain that spoke a private language.
This was my first encounter with art as art (he saw 'Pinky' painted by Sir Thomas Lawrence and 'The Blue Boy" painted by Thomas Gainborough).. ..somebody actually MADE those paintings.. ..(it) was the first time I realized you could be an artist.
I think a lot of the time, comic art is dismissed as... not art, and comic writing is dismissed as not literature.
A lot of people are surprised by my love of heavy metal. I fell in love with heavy metal almost before any other genre. One of the first concerts I went to was a Donnington Monsters Of Rock concert.
I just want to be considered a heavy metal band, because metal has always been around and will always be around. We're just a heavier version of metal. Heavy metal will never go away. It's like a cockroach. It's the best title, because we play metal that's heavy.
Here's the new art of the twenty-first century: the art of curating, the art of plucking all the good stuff from a superabundance of crap.
I really enjoyed Eddie Bracken. He told me a great story. He did The Odd Couple on Broadway, replacing Art Carney, and he said, "Art Carney did it for six months and I did it for three years, and I don't think anyone I've ever spoken to saw me. They all saw Art Carney."
At twenty-seven years old, I was diagnosed HIV. Three years later I decide to dedicate the remainder of my life to art. Leaving work and refusing the assistance of Unemployment Insurance or Welfare, I challenged myself to live completely through my art.
In 1994, we had the first record by a true heavy metal band to ever hit the Billboard top No. 1 slot. We paved the way. And we always waved the heavy metal flag.
I saw Joseph Cornell's lyrical work for the first time at the Museum of Modern Art in the late seventies and have internalized many of his boxes.
My plan was to never get married. I was going to be an art monster instead. Women almost never become art monsters because art monsters only concern themselves with art, never mundane things. Nabokov didn't even fold his own umbrella. Vera licked his stamps for him.
I think it's more, at least at the time, a sense of abstraction. My mind doesn't really work in a way where there's a definitive sense of something. I go one way and then it opens up into a million different ideas, and somehow, when you look at the art, Buddhist art, or particularly Tibetan art, you know, it's a similar thing. All of a sudden there are a million lotus leaves and you're following one to the next and to another, and I related to that, and it felt simple and easy to me. And it made me feel smart.
I'm just a middle-class farm boy from Dodge City, Kansas. And I always thought that acting was art, writing was art, music was art, painting was art, and I've tried to keep that cultural vibe to my life.
This man, who for twenty-five years has been reading and writing about art, and in all that time has never understood anything about art, has for twenty-five years been hashing over other people's ideas about realism, naturalism and all that nonsense; for twenty-five years he has been reading and writing about what intelligent people already know and about what stupid people don't want to know--which means that for twenty-five years he's been taking nothing and making nothing out of it. And with it all, what conceit! What pretension!
I was in art school since I was five years old. I've always been to art school. Everything that's happened to me, nothing's been planned. I've never had a business plan. I just kind of fell into it, and I liked it, and I took a chance. I took a lot of chances in my life.
Always been a big heavy metal fan. I remember being 15 saying, Dude I'm going to love heavy metal forever. Heavy metal til I'm 60. I'm 35 now. I think I'm going to give it one more year.
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