A Quote by Jerzy Kosinski

All my father saw was what he wanted to see. — © Jerzy Kosinski
All my father saw was what he wanted to see.

Quote Topics

I saw women's boxing on television for the first time when I was 18, and that's when I wanted to do it. So, it didn't come from me watching my father. I didn't know the sport existed; therefore, I wasn't really interested in it until I saw it.
I've always wanted to tell a story about Lincoln. I saw a paternal father figure; I saw someone who was completely, stubbornly committed to his ideals, to his vision.
What I saw when I was a child was my father who was a pilot, and because of circumstances was thrown into the political system, and all I saw when was small after my grandmother died was my father in constant - constant combat with the system in India, and then I saw him die, actually.
My father was always respectful to my grandfather. I really wanted that to be known because I never saw him disrespect my grandfather, and I never saw them have a cross word.
I know what it's like to see someone lose their job as a result of the European Union. I saw my father lose his job, I saw his business go to the wall, I saw 24 people who he employed also lose their jobs.
My father and mother split and I never saw my father until I was 20, nor did I see much more of my mother.
When you're a kid and your father is an engineer, he goes to the office. I saw my father get up and go to the office in the house and write. But I don't see any similarities.
I wanted to do what I was seeing Dorothy Dandridge doing, what I saw Marilyn Monroe do, what I saw Bette Davis do. I wanted to do that: to tell stories. I wanted to make people laugh, make people cry. I wanted to be a storyteller.
I saw behind me those who had gone, and before me those who are to come. I looked back and saw my father, and his father, and all our fathers, and in front to see my son, and his son, and the sons upon sons beyond. And their eyes were my eyes.
I was 11 or 12 years old when I first saw 'Reservoir Dogs.' I remember after I saw that film, I kept renting it from the video store because I wanted all of my friends to see it.
I don't know, when I was a kid, when I would see shows that changed my life, I would go to see shows where there was my mother taking us to see classic rock concerts, like Zeppelin, or when I saw Pink Floyd or when I saw, you know, when I was a little older, and I saw Nine Inch Nails, and I saw The Cure.
My father is a silent cinema freak, so he took me to 1925 silent films that took forever, like 5-hour movies, but I've seen a lot of that stuff since I was young. And then I saw the film 'Annie,' and I just wanted to be Annie; I just wanted to be that orphan kid and wanted to sing and dance.
You saw me before I saw you. You had that look in your eyes, as if you wanted something. Wanted it for a long time.
When I became a father, I saw what passed for family entertainment. So much of it was vapid. I wanted to make things that mattered.
The first time I saw my father, he was chained. Gone was the mirage of the invincible man, the man who would protect me once I found him. At the age of 12, I finally saw my father - in an orange jumpsuit, looking weak and vulnerable.
It's part of the reason I went to Duke. Coach K came to me. He saw everything but the dunks. He was like, 'It's a dunk. It's two points. Who cares?' He saw every other part of my game that I wanted the world to see.
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