A Quote by Jessa Crispin

I knew my motivations for going to each place and what I was looking for. If I don't do that then I generally don't write about my travels. — © Jessa Crispin
I knew my motivations for going to each place and what I was looking for. If I don't do that then I generally don't write about my travels.

Quote Author

Jessa Crispin
Born: 1978
It was the typical paranoid experience [to hide coke]. As soon as I knew my hiding place, I thought the whole world knew it. I'd write clues to my hiding places in code, then forget the code and spend the rest of the day looking for my coke.
When you write a song about a place, you are writing a song about a place that might be in a hundred years, or a place that has been, or that was - in your imagination. I think that also embodies the American spirit. You are looking for what you can call "a place."
I left things out - my motivations, my history, my emotional responses - because I am not good at understanding them or writing about them. I tried and it was generally boring and always unconvincing. Most importantly I wanted to try to place Afghans and Afghanistan in the foreground rather than my own character.
I knew I wasn't going to write a record as soon as I got signed, because I hadn't had any life experiences. I was still at school, and I wasn't going to write about that.
I'm very interested in buildings that have meaning for a particular place. I suppose it feels slightly rude to me if the imposed style that lands in a place is almost stronger than the place. For me it's about inventing a solution for each place; if people then want to know who did it, then great.
The novels I planned to write were never going to be funny books about Jews. They were going to be country house books. Only later on could I write what I knew I was best at writing about.
If you want to be a serious writer, then you have to write what there is to write about. If you're going to pull your punches and second-guess yourself and not do things because you're worried, then don't write. Stay home and do something else.
You men find so many angels in your travels. You have been honester than some. You have generally been off with the old angel before you were with the new, as far at least as I knew.
If my characters travel somewhere, I generally write about a place I know to give the scenes more authenticity.
You're looking for something, I don't know what I'm looking for, but I'm looking. Writing is a lot about that. When you write a poem. When you write a novel.
I knew right from the beginning that if I was going to write a book, I would write my version of the truth and then put it out there for people to decide if they will accept it or hate me.
If you're going to write about something it becomes a damn sight more interesting than if you're not going to write about it, because you engage with it actively in a way that you wouldn't if you were just passing through or if you were going to St Helens to visit family or if it was a place that made you resentful because you'd always wanted to escape from there.
I decided that I would write one story about each thing that I knew about.
I had a lot of great lakes of ignorance that I was up against, I would write what I knew in almost like islands that were rising up out of the oceans. Then I would take time off and read, sometimes for months, then I would write more of what I knew, and saw what I could see, as much as the story as I could see. And then at a certain point I had to write out what I thought was the plot because it was so hard to keep it all together in my head. And then I started to write in a more linear way.
At the heart of the best documentaries, there is a journey of inquiry - someone who travels out into the world, comes back with a story, and who then finds meaning in it, and intrigue; someone who tells you about something you never quite knew before, or in a way you hadn't quite thought about.
It was not until I was in my forties, in the fifth decade of my life, that the sense of place, the spirit of place, became of paramount importance to me. It was then that I began my travels, that I discovered, through photography, the quality of light, and that I gradually became able to paint the mood of place.
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