A Quote by Jessica White

Modelling, it's being an artist as well. It's just being a silent artist. It takes a lot of self-control and a lot of discipline. — © Jessica White
Modelling, it's being an artist as well. It's just being a silent artist. It takes a lot of self-control and a lot of discipline.
I am an artist, and I understand the pros and cons of being an artist, and the pressures of being an artist, and how much being an artist can be torture to people around you; you know, you friends and your family and how material you can be, and how it's hard to take criticism and all the things like that.
Being able to hear an artist and emulate them has been a huge part of being successful as a producer and co-writer. I think it's a problem when a producer comes in to work with an artist, and you can't hear the artist as well anymore. It's very important to me to be invisible.
Exhibitions of minority art are often intended to make the minority itself more aware of its collective experience. Reinforcing the common memory of miseries and triumphs will, it is expected, strengthen the unity of the group and its determination to achieve a better future. But emphasizing shared experience as opposed to the artist's consciousness of self (which includes his personal and unshared experience of masterpieces) brings to the fore the tension in the individual artist between being an artist and being a minority artist.
There was a time in my career when I felt like I wasn't being true to myself. I was being moulded into an artist I wasn't, and I knew I had to do everything I wanted to do. I think that's an issue a lot of women face, and men do have it easier in a lot of ways.
Being a cover artist is not like being a real artist. That's just copying what someone else did.
I always say I want creative control. A lot of people don't think about that. And that's what every artist should think of - being creative and not just a puppet.
Because Ivy [Wilkes] is just starting out as an artist, I wanted to focus on [Georgia] O'Keeffe's experiences when she was just starting out. I suspect there is a difference between being an unknown artist and being a celebrated artist. When nobody knows your work, nobody except you really cares whether or not you paint.
I take the palette with me, but I have a lot of makeup. I was a makeup artist when I was younger, but I'm not that good compared with my makeup artist, so I keep things pretty simple. I explore a lot with pink and nude lipsticks, but I love red lipsticks. I love a line and a lash and a brow. So I don't need a lot, but I have a lot. It's all there just in case - for Halloween or whatever.
Judging your early artistic efforts is artist abuse. . . Remember that in order to recover as an artist, you must be willing to be a bad artist. Give yourself permission to be a beginner. By being willing to be a bad artist, you have a chance to be an artist, and perhaps, over time, a very good one
I never considered myself an artist. I aspire to be an artist, but I never thought I had the depth or substance or gift to be an artist. I do think I have some talent, but it doesn't go as far as being an artist.
It's never the same relationship. I see my job as filling in the blanks. Whatever it is that the artist lacks in the process of making a record, I'm supposed to fill that in. And sometimes it's a lot of stuff and I have to hector them about working on the material and that sort of thing. Sometimes you have an artist that's really fairly self-sufficient; they just need another ear to offer some objective criticism, but otherwise pretty much know what they're doing. It varies a lot.
Children are inspiring because they are open and a lot more intelligent than grown ups. They also have contagious playfulness and joy. For me as an artist the challenge of having a child is having to think ahead a lot more. Which in a way is good, since I sometimes lack self-discipline.
It wasn't supposed to work - being a new artist, a female artist, an artist on an independent. That's what made it so much sweeter when we hit No. 1.
I am a serious artist in my own right, in the sense that I've spent my entire life being an artist and trying to be an artist and making work.
A true artist could and should create till the day they die. You don't ever fail as an artist until you quit being an artist.
Being an artist doesn't just mean you have a song. That doesn't make you an artist. The word 'artist' means so many different things, and I feel like to be a real one, you really have to do it all. The people that I think of as artists - Tyler the Creator, Childish Gambino, Kanye West - are doing the most.
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