A Quote by Jill Lepore

History is a long and endlessly interesting argument, where evidence is everything and storytelling is everything else. — © Jill Lepore
History is a long and endlessly interesting argument, where evidence is everything and storytelling is everything else.
It's endlessly interesting to be organizing and hearing possible solutions or thinking of possible solutions and how to put efforts together. It makes everything else boring, actually.
The truth is... everything counts. Everything. Everything we do and everything we say. Everything helps or hurts; everything adds to or takes away from someone else.
History is the art of making an argument about the past by telling a story accountable to evidence. In the writing of history, a story without an argument fades into antiquarianism; an argument without a story risks pedantry. Writing history requires empathy, inquiry, and debate. It requires forswearing condescension, cant, and nostalgia. The past isn’t quaint. Much of it, in fact, is bleak.
Long ago, when I was a very young girl, I said that I wanted to go everywhere, see everything, taste everything. hear everything, touch everything, try everything before I died. There isn't anything you can name that a woman can do that I haven't done. I don't intend to stand by and be a spectator. I want to be right in there in the midst of it, right up to my nose - totally involved in the community, in the world, in the stream of history, in the human image.
Try to understand what I am saying: everything is dependent on everything else, everything is connected, nothing is separate. Therefore everything is going in the only way it can go. If people were different everything would be different. They are what they are, so everything is as it is.
The great networks are there to prove that ideas can be canned like spaghetti. If everything ends up by tasting like everything else, is that not the evidence that it has been properly cooked?
you can't really separate modernity from history or spiritual concerns from mundane ones. Everything feeds into everything else.
Nothing fortuitous happens in a child's world. There are no accidents. Everything is connected with everything else and everything can be explained by everything else. . . . For a young child everything that happens is a necessity.
Everything proceeds from everything else and everything becomes everything, and everything can be turned into everything else.
I think after a time there won't be anything left to be interesting for mankind. Computers are about to do everything for us. Cellphones are smarter than we are. We'll embrace spirituality because we'll be bored of everything else.
The power of storytelling is exactly this: to bridge the gaps where everything else has crumbled.
I find it endlessly interesting, endlessly funny, the fact that we're rather arbitrarily divided up into these discrete humans and that your physical self, your physical attributes, your moment of history and the place where you were born determine who you are as much as all that indefinable stuff that's inside of you.
In my view, the argument from parsimony is really no argument at all - it typically functions only to shut down more interesting discussion. If history is any guide, it's never a good idea to assume that a scienti?c problem is cornered.
My family is my number one and then everything else follows suit. As long as family is first, then we juggle everything else.
Everything is integral and interacts with everything else. This means that nothing is itself without everything else. There is a commonality, an integrity, an intimacy of the universe with itself.
I don't plan stuff. I don't believe in planning. I just believe in doing your best at what you do best at all times and everything else is everything else. Everything else is a plus.
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