A Quote by Jill Lepore

'Doctor Who' is, unavoidably, a product of mid-twentieth-century debates about Britain's role in the world as its empire unravelled. — © Jill Lepore
'Doctor Who' is, unavoidably, a product of mid-twentieth-century debates about Britain's role in the world as its empire unravelled.
Britain in the 19th century was two things simultaneously; the hub of the largest empire on earth and the greatest manufacturing and trading nation the world had ever seen. Yet the formal empire and the trading empire were not the same thing.
Today's Uncle Tom doesn't wear a handkerchief on his head. This modern, twentieth-century Uncle Thomas now often wears a top hat. He's usually well-dressed and well-educated. He's often the personification of culture and refinement. The twentieth-century Uncle Thomas sometimes speaks with a Yale or Harvard accent. Sometimes he is known as Professor, Doctor, Judge, and Reverend, even Right Reverend Doctor. This twentieth-century Uncle Thomas is a professional Negro -by that I mean his profession is being a Negro for the white man.
Film is more than the twentieth-century art. It's another part of the twentieth-century mind. It's the world seen from inside. We've come to a certain point in the history of film. If a thing can be filmed, the film is implied in the thing itself. This is where we are. The twentieth century is on film. You have to ask yourself if there's anything about us more important than the fact that we're constantly on film, constantly watching ourselves.
The humanities and science are not in inherent conflict but have become separated in the twentieth century. Now their essential unity must be re-emphasized, so that twentieth-century multiplicity may become twentieth-century unity.
Death of a Salesman' is a brilliant taxonomy of the spiritual atrophy of mid-twentieth-century white America.
'Death of a Salesman' is a brilliant taxonomy of the spiritual atrophy of mid-twentieth-century white America.
The descendants of Holy Roman Empire monarchies became feeble-minded in the twentieth century, and after World War I had been done in by the democracies; some were kept on to entertain the tourists, like the one they have in England.
The blessing of the state, implicit or explicit, has been crucial to every twentieth-century information empire.
After India and China, Indonesia was the biggest new nation-state to emerge in the mid-twentieth century.
Russia has lost an empire but not yet found a role. Russia has to decide what it wants to be. And as we know in Britain, that takes some time. It is quite tough to lose an empire and Russia lost its empire very rapidly and very admirably, that is to say peacefully, it didn't fight.
The thriller is the cardinal twentieth-century form. All it, like the twentieth century, wants to know is: Who's Guilty?
The nineteenth century planted the words which the twentieth century ripened into the atrocities of Stalin and Hitler. There is hardly an atrocity committed in the twentieth century that was not foreshadowed or even advocated by some noble man of words in the nineteenth.
Women's sexy underwear is a minor but significant growth industry of late-twentieth-century Britain in the twilight of capitalism.
Great Britain has lost an empire and has not yet found a role.
The natural role of twentieth-century man is anxiety.
It has been said that the three great develpments in twentieth century science are relativity, quantum mechanics, and chaos. That strikes me the same as saying that the three great developments in twentith century engineering are the airplane, the computer, and the pop-top aluminum can. Chaos and fractals are not even twentieth century ideas: chaos was first observed by Poincare and fractals were familiar to Cantor a century ago, although neither man had the computer at his disposal to show the rest of the world the beauty he was seeing.
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