A Quote by Jim Gaffigan
I've been doing stand-up for so long, I think 19 years, that I love topics I can also expand on. Once I identify a topic like, say, seafood, which is a big one right now, it's like there are different kinds of tangents I can go on to build a larger chunk.
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I just like to build. Don't get me wrong: I think stand-up is great, and when someone like Richard Pryor or Steve Martin does stand-up, there's nothing better in the world. But I don't want to watch a lot of stand-ups for two hours. So I can do 45 minutes of stand-up and then say, 'Can we do something else now?'
Yeah, I mean, I did regular stand-up for a long time. And I did - I stopped doing stand-up when I worked on 'Ellen,' which was for five years. So when I went back to it, I found that, like, regular stand-up didn't really do it for me anymore. It almost felt insincere, like I wasn't saying anything I actually really wanted to say.
I like to take things as they come and, as much as possible, not force anything. I think I could wind up somewhere completely different five years from now, something completely removed from acting - I could be perfectly content studying photography or English literature. At the same time, I love what I'm doing right now and could see doing this for a very long time.
When they first start doing comedy, new comics or even people that have only been doing it three or four years, they're doing an impersonation of a stand-up. This is what I think a stand-up should sound like.
And if you think that you're showing your love to Catherine by suffering the way you've been doing, then somewhere along the way, I must have messed up in raising you." "You didn't mess up...." "I must have. Because when I look at you, I see myself, and to be honest, I'd rather see someone different. I'd like to see someone who learned that it's okay to go on, that it's okay to find someone that can make you happy. But right now, it's like I'm looking in the mirror and seeing myself twenty years ago.
You can say that literature is about topics like love, death, and all that, but I think there is only one topic that applies to all literature and that is belonging.
I don't really like doing big stand-up. Whenever I do theaters, I don't like 'em. I don't think they're right for stand-up. I've seen people in theaters, and it just doesn't work, because you're talking to the guy next to you the whole time.
I've been doing stand-up since I was 19. There have been times I've had to step away because of my schedule, but now I'm able to go out and do theaters and not smoky little bars.
Like anyone else, I go up and down. You wake up some days, and you're like, "Life is great." You wake up other days, and you're like, "This is so shitty. I just want to stay in bed." Right now, I feel confident that as long as I can keep the sound moving forward, this is something I'll be doing for at least another five years.
I can't believe how much time has passed. The first time I did stand-up I was 17, and I was really a stand-up once I was 19 in New York, and now I'm 41, and I still feel like I haven't found myself onstage.
I think that the work that's left to be done - and I see the end in sight at this point - is to just let go and stop talking about it. It's definitely 'stop talking about the whole size thing.' I don't go to my girlfriend's house and say, 'Hey, I'm your big friend, let's talk about big things.' It's not a topic of conversation within my friend group - I'm ready for society, Hollywood, the press, magazines, everyone, to just catch up and say, 'These women are just like the women we've been using for so long. Let's just throw them into the mix and stop talking about it.'
I try to discover the character's primary motivation. In a screenplay, you can make up a hundred different variables of a character. Is he there for love or respect, or is he there out of fear? What's he doing? Why is he doing it? Then I can build on the intricacies. Does he pick his fingernails? Does he always do this when he's lying? All the little things that come with it. But it's also like, if you're doing a caricature and you're like, "I want to do a blue-collar guy from Jersey," you have to go and do the research on the region, the who, what and why.
I'm different now, but back then I used to be the type of guy who would say, “I like you. Do you also like me or not? No? Tell me the truth. I'll give you time to think about it!” But now This isn't a lie but I've had 3 girlfriends, and I've dated each of them for 3 years. When it comes to dating, I'm the type who would be with someone for a long time. Before we start dating, I'd keep watching her. It's because I hate being hurt. I tend to give my everything once I date
I’d like to fight everybody who wants to make war on people. I’d like to fight bullies, actually. I’d like to stand up to the bullies in this world. I was actually mugged once in London, and I was completely defenseless. They came at me with a… I was held at knifepoint. And I felt so angry that I let them do it and I think I’d like to go back and say ‘Look, it’s okay’, and if they tried to stab me, I could just say ‘You can stop that now’.
I started doing stand-up when I was 15 and doing Letterman when I was 20. So I've been doing stand-up comedy and clubs for over 30 years. That's a long time.
The first time I did stand-up I was 17, and I was really a stand-up once I was 19 in New York, and now I'm 41, and I still feel like I haven't found myself onstage. Earlier in my career, I was really tight, really together, and knew who I was and I was confident.
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