A Quote by Jim Jarmusch

I like marginal characters, I like real people. I learn more from talking to my plumber when he comes to fix my toilet than I do from meeting a movie star. I think my movies are in the same vein as that.
Doing the movies and meeting the people, and I like the stories of the movies. I like names a lot, too. When I do an audition, there is a script and it has a first page that has the names of all the characters. I'm like, “Let me see that real quick, I wanna see what my name is gonna be.
I'm not a person that thinks back in the first place. I think forward. And it's always been less that people didn't get the character, but more people being mad that the movie fell short. Or people would say they are glad the movie went in the toilet. And I totally agree with them. I think there are some movies I made that it was a good thing they went into the toilet, because they weren't good enough. The director f - -ed up, or the production was too small, or I screwed up, whatever the reasons are.
You have to always try to think about them like real people first, and not just heroes. They have to be real characters. As people do more and more superhero stuff, the characters are what distinguish it, just like in cop shows.
I like the idea of sitting in a theater with a bunch of people. With technology now, people are getting more and more isolated. I like the community coming around the story. You don't have that with a DVD. People go home, they're tired from work, they can turn it off. It doesn't make you commit the same way, if you can control the movie. More difficult movies, it's too easy to turn them off. All the time, I see movies I know if I had seen it on DVD, I wouldn't have hung with it. If you see it on the screen, you hang with it and it pays off better than a movie you can easily sit through on DVD.
The things that scare me are real life situations. Real life is much more scary than anything you can put on the movie screen. Which is why I get very upset when people try to blame the movies for the violence in this world. I'm like 'Are you kidding me?'. There is more violence in a four hour period on CNN than any movie I have in my massive collection.
If the economy is still going forward, even at 40 miles an hour, 50 miles an hour, I think most people will stick with President Obama. I think people look at politics like they hire a plumber. I hire you to fix the bad pipe. If you fix it, I'll rehire you. If you don't fix it, I'm not going to rehire you.
I like storytelling movies and more than that I like historical movies; and I think someday I'll definitely make a movie about the past 50 years history.
I've done movies that have mostly feminine characters and elements, and I think that both 'Heathers' and 'Truth About Cats and Dogs' are, in their own weird ways - they're different ends of the girl movie spectrum, but they're very much centered around the female characters, and I like those movies, and I like working with good actresses.
is grey, and I like that about all the characters, the killer, the driver... the movie has a very unlikely Hollywood ending, at the same time it helps you for a sequel too. Those are the things that I think are attractive, it's more, its real life, and people can identify with it and it just grounds it to a certain degree. That's the reason why.
I think we make the movies, initially, with the one movie in mind. But we do love the characters, and so we kind of miss the characters when the movie is over. But I think what happens is, every now and then you realize there's more to tell, or an idea comes up.
I like Star Wars, it's fun and I enjoy doing it. But it's definitely not my life. I'm a bigger movie fan than I am Star Wars fan. I like making movies.
I think that, in the beginning, you think, 'I want to be the biggest movie star in the world.' And then, with the more movies you make, you are like, 'I don't know if I want to be that anymore. I think what I am looking for is something different.' I like acting, but a lot of times, stardom comes with a lot of strings attached.
For me, I'm always looking for opportunities to work with people who are better than me, who are more experienced than me, people from whom I can learn. And who could I learn more from than someone with an unprecedented movie star career that has spanned over thirty years whose name is Tom Cruise?
I don't know if you've ever seen some of the Sidney Lumet movies, like Dog Day Afternoon [1975] or Network [1976]. They're real events that happen in real time, and there are all of these different characters experiencing the same thing in different parts of the movie ... I am so bad at explaining my films. But it's in the world of finance and the world of media, and how they connect. It was a big undertaking. A big, mainstream movie, which stars Julia Roberts and George Clooney. But for me, it's really just a small story about character and people.
I'm a fan of Oliver Stone. I like his movies, I like his excess, and I think he has a great capacity for empathy and it comes out more powerfully in this movie than in any of his other films, even the formal 'I'm identifying with the underdog' movies like 'Born on the Fourth of July.'
I don't walk around like I'm a movie star because I don't think of myself as a movie star. People usually don't even notice me.
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