A Quote by Jim Jarmusch

I like that cartoons are now not only animated drawings, they are a way of doing something: 'That song sounds very cartoony', or 'He has a cartoon face'. Like the word 'poetic', which usually means something different than a poem. But most of all cartoons are comforting, that's the real reason I need them.
When you look back at the older cartoons, they're very much more observational cartoons. And the cartoon, the people in the cartoons are not making the joke.
There is something very pleasurable about watching cartoons, a really warm, comfortable feeling. My taste is quite broad, but most of all I like American cartoons. Early Disney, Betty Boop, Roadrunner, Ren & Stimpy, South Park. Sometimes I'll watch Pokemon or bad 80s cartoons.
I think cartoons are important. Tell me that you don't like cartoons, and I think there's something wrong with you. I don't understand why people don't like cartoons.
I hate those live action versions of animated cartoons. It ruins everything, the whole point of cartoons is to get away from photographs. I mean it would be stupid to say that cartoons are better than photographs but its true.
Tell me that you don't like cartoons, and I think there's something wrong with you. I don't understand why people don't like cartoons.
Cartoons ran into trouble when they became too much like real life images. Cartoons had become poor imitations of the real thing.
Being female was just one more way I felt different and weird. I was also a young 'un, and also my cartoons were not like typical 'New Yorker' cartoons.
Animated editorial cartoons are completely different from static editorial cartoons.
If you win elections on the theory that government is always bad and will mess up a two-car parade... a real change-maker represents a real threat. So your only option is to create a cartoon, a cartoon alternative, then run against the cartoon. Cartoons are two-dimensional; they're easy to absorb.
Cartoons are not real drawings, because they are drawings intended to be read.
My craziest ideas come from cartoons. I approach music by taking that cartoon extreme and the real life extreme and finding somewhere in the middle. The animated element lures people in, but the real-life substance puts the nail in the coffin.
I think The New Yorker's cartoons aren't very political because the people who do the cartoons aren't awfully political people, and they aren't paid to be political. I think editorial cartoonists are. That's what they do. They probably have a great natural interest in politics, and then they are paid to do it, so they sort of have to hunt out these ideas. I admire editorial cartoons, but I'm also sort of happy that I don't do them because I'd hate to have to label things and I'd especially hate, more than anything, to label something Dennis Hastert or Mark Foley.
Making cartoons means very hard work at every step of the way, but creating a successful cartoon character is the hardest work of all.
I actually grew up watching a lot of these cartoons - a lot of the animated series. 'Batman: The Animated Series,' 'Justice League,' all the stuff that would come onto Cartoon Network.
I'm not interested in stories. Stories are interesting but I don't think my head works that way. I remember at age 10 I dreamt of making animated cartoons as loops, something you could just project on your wall and look at from time to time. Kind of, something to stare at, something that's always there.
I wouldn't want to be defined so much by comics or cartoons. My work is more narrative than that. If you take your basic cartoon, there's always a punchline or a joke at the end. My drawings don't depend on that so much.
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