A Quote by Jim Jarmusch

I love John Ashbery. He's the - really the poet laureate of English language poetry, whether he's given that or not, he is to me. — © Jim Jarmusch
I love John Ashbery. He's the - really the poet laureate of English language poetry, whether he's given that or not, he is to me.
To be poet laureate is to try to spread the love and the accessibility of poetry to young people.
It really takes growing up to treasure the specialness of being different. Now I understand that I've gotten to enjoy things that others have not, whether it's the laughter, the poetry of my Spanish language - I love Spanish poetry, because my grandmother loved it - our food, our music. Everything about my culture has given me enormous education and joy.
When you see the poet laureate saying that every child should have read 'Ulysses' and that you're just giving up on children if you think it's elitist - does that include children with special needs or whose first language isn't English?
I know some people might think it odd - unworthy even - for me to have written a cookbook, but I make no apologies. The U.S. poet laureate Billy Collins thought I had demeaned myself by writing poetry for Hallmark Cards, but I am the people's poet so I write for the people.
I certainly was surprised to be named Poet Laureate of this far-out city on the left side of the world, and I gratefully accept, for as I told the Mayor, "How could I refuse?" I'd rather be Poet Laureate of San Francisco than anywhere because this city has always been a poetic center, a frontier for free poetic life, with perhaps more poets and more poetry readers than any city in the world.
The Language Poets are writing only about language itself. The Ashbery poets are writing only about poetry itself. That seems to me a kind of dead end.
When I became poet laureate, I was in a slightly uncomfortable position because I think a lot of poetry isn't worth reading.
It is a tremendous honor to be named poet laureate, but one that I find humbling as well, because it's the kind of thing that makes me feel like - even as it's been bestowed upon me - I must continue to live up to what it means... Being the younger laureate in the age of social media is a new challenge.
Being Poet Laureate made me realize I was capable of a larger voice. There is a more public utterance I can make as a poet.
The Color Purple really floored me. That book was just incredible because I loved the language. The biggest deal of that book was that I loved the poetry of broken English. Broken English and vernacular. It just floored me that you can actually capture the way people really talked. And I also really connected to the social class element.
Matt Mason must be declared the poet laureate of the Midwest! No other native son celebrates the overlooked America, its unsung citizens (from the anonymous poets to the part-time English teachers), and its expansive indigenous landscape, as well as he does. Mason's poetry is humorous when he wants to be quirky, heartbreaking when he wants to be eloquent, and though he moves effortlessly into other moods and geographies, he always returns to his first and most enduring love (and to what he knows best)-his homeland.
My love of reading and the English language is something given to me by my parents, and I've passed it on to my children.
What the world wants, what the world is waiting for, is not Modern Poetry or Classical Poetry or Neo-Classical Poetry - but Good Poetry. And the dreadful disreputable doubt, which stirs in my own skeptical mind, is doubt about whether it would really matter much what style a poet chose to write in, in any period, as long as he wrote Good poetry.
There are distinct duties of a poet laureate. I plan a reading series at the Library of Congress and advise the librarian. The rest is how I want to promote poetry
There are distinct duties of a poet laureate. I plan a reading series at the Library of Congress and advise the librarian. The rest is how I want to promote poetry.
Loneliness is necessary for pure poetry. When someone intrudes into the poet's life (and any sudden personal contact, whether in the bed or in the heart, is an intrusion) the poet loses his or her balance for a moment, slips into being what he or she is, uses his or her poetry as one would use money or sympathy. The person who writes the poetry emerges, tentatively, like a hermit crab from a conch shell. The poet, for that instant, ceases to be a dead person.
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