A Quote by Jim Nabors

I'm far happier now than when it seemed I was on the cover of every magazine in the land. — © Jim Nabors
I'm far happier now than when it seemed I was on the cover of every magazine in the land.
I see myself on the cover of a magazine and I don't think that it looks like me at all. My first-ever photo shoot was for the cover of a lads' magazine.
'Sports Illustrated' decided to have curvy women not only in their magazine but on the cover of their magazine. Now, that means size diversity is here, and it's real, and it's not a trend.
I was with Roy Thomas on a panel and he turned to me and said, "You know, your name is on the cover a magazine every month." I said, "Really?" He pulled out a copy of "Destroyer," and said, "If you cover up the DEST you've got Royer on the cover every month."
I'm proud to be a railway modeler. It means more to me to be on the cover of Model Railroader than to be on the cover of a music magazine.
Yes, of course, I've been dreaming about it since I was a kid. Even now, I'm 31 years-old now and I've never been on a cover of a magazine. It makes you feel in such a way to do it with my signature guitar and to have it be Guitar Player magazine, it was really just an amazing experience.
The first time I ever found Paste I thought somebody just might have finally made a magazine using only the contents of my brain. I read it cover to cover every single month.
What would you do if someone said to you: "You're so popular right now that you can be on the cover of every magazine, but if you do that, you might get overexposed and a backlash will develop"? That's life. Everything has positive and negative consequences.
In order for a person of color to get on a cover of a magazine, they have to do something prolific - winning an Oscar, being the first billionaire, you know, or whatever. I think it's becoming more natural that somebody can get on the cover of a magazine just because they're an amazing person. That's what it should be.
I do a lot of pivoting. There was one cover I did of Donald Trump, after he won Iowa, it seemed like it was over for him at the beginning of the primary process. I was given the go-ahead on it right away. I drew it and he won the next primary, and suddenly, the cover didn't make any sense. And then, after the Democratic National Convention, it seemed like he was finished, Hillary Clinton seemed to be gaining strength, so the cover ran then. So it seemed like you can come up with an idea and it can be rendered useless two days later and then all of a sudden it's relevant again.
Every video I'm in, every magazine cover, they stretch you; they make you perfect. It's not real life.
Far happier are the dead methinks than they who look for death and fear it every day.
I've been on the cover of every magazine in the world.
The magazine business is dying. It's a hard time for publishing. It does seem that everyone is much more opinionated now. I think there's probably more room for making opinionated illustrations. There was a time when Time magazine and Newsweek would have a realistic painted cover. A friend of mine used to do a lot of those paintings and he was told by the art director at one point, we are switching to photography. It seems that if someone saw a painting on a cover, it took a while to do, it must be old news. Photography became more immediate.
When my family decided to leave England I could not have been happier. I was sort of like - America seemed like the land of opportunity and, you know, it was Hollywood to me.
As slavery died for the greater good of America, and the movement for equality sputtered to life, the white woman was on the cover of every American magazine. She was the dazzling jewel on every movie screen, the glory of every commercial and television show.
My belief is that every single major magazine cover is retouched. I don't know how they couldn't be.
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