A Quote by Jim Rash
In truth, I have always been amazed by a group of people who all work toward putting one person's vision forward - that's an interesting story for me.
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Teamwork is the ability to work as a group toward a common vision, even if that vision becomes extremely blurry.
I always feel like when I work with people, I work with everybody - from the person that's working the camera to the person that's running the water to the person that's putting the clothes on me, the person that's combing my hair, my makeup, the person that's like, 'You gotta sign these papers.' I try to hang out with everybody.
a white person who claims to have no impediment of vision in this country is not, I think, telling the whole truth. And when it comes to race relations, not telling the whole truth about the fog one inhabits slows down the work of groping forward.
I am very excited to work with people who have a strong vision of what they want. They're trying to tell a story, and they want to use me. I'm there to facilitate that. I really like that. I'm like, "Tell me where your frame is. Tell me what you want, what kind of story you want, and I will facilitate it." That's sort of my job, and it makes my work better when I'm working in that kind of a frame, and hopefully it's their work. It's incredibly collaborative, in the sense that you're working toward a common goal.
You've got to have a vision and an intention and that will guide what you do. I call it devotion. Ask yourself, "Is this not moving me toward where we need to be?" I believe that's helpful because a vision pulls you forward and it keeps you focused. A vision for the day, for the week, for the month and a lifelong vision - whatever works for you. And then you govern your activities and your behaviors accordingly.
I've always been opposed to groups. I can't believe the doctrine of group is going to work for every single person within the group.
I always wanted to be the person to whom people looked forward to give opportunities. As opposed to always being the person who wants to work with others and who is always the backup: where it's like, 'If nothing works out then OK, let's get this person.'
I have always tried to sense the mood of the people, their needs, their attitude toward ways to solve problems, their priorities. That's mainly what I go by. And I think that's the most important thing in any person's work, in the work that the people of Russia entrusted in me.
I refuse for any person or organized group to dictate to me what God is. That is really the height of insufferable hubris. I believe in just immediately putting to death or just putting over the cliff people who assume they know about God.
With film roles, it just has to be a character either I haven't done before, or a role with somebody really interesting or with an interesting person or group of people.
It is a great honor for me to be compared to Henri Cartier-BressonBut I believe there is a very big difference in the way we put ourselves inside the stories we photograph. He always strove for the decisive moment as being the most important. I always work for a group of pictures, to tell a story. If you ask which picture in a story I like most, it is impossible for me to tell you this. I don't work for an individual picture. If I must select one individual picture for a client, it is very difficult for me.
The ways in which people are damaged are the ways in which they're strong. It's what makes people interesting - what they've overcome and how, and what they haven't and how that's become a good thing. Almost everyone's life is both a gorgeous story and a tragedy. I think being alive is really, really hard, and I'm constantly stunned and amazed by people who make it interesting and beautiful.
It always amazed me - it still does - that people offer me work. And when the theater was my basic bread and butter, every time a show finished, I was convinced I would never work again.
A lot of life is about how you feel relating to dealing with this person or that person. If this person makes you feel good, then they're a person to be around; if they don't, they're not. Being in a band is different. The group is the more important part, and you have to kind of shift the way you look at life when you're in a group of people that you work with.
You can have an interesting story about a person living an interesting life. And if it's done well, that is just as engaging as the end of the world. A million people dying - we can't process. One person, we can process.
Any abhorrent behavior is more interesting to me. I'm always amazed when somebody asks me, 'Why don't you write something about nice people?' Because nice people are boring, that's why.
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