A Quote by Jimenez Lai

One of the reasons why architects are often attracted to philosophers, partially, has to do with making sense of the world around us as well as the making of worlds.
I think architecture could be understood as the construction of realities, or the construction of worlds. One of the reasons why architects are often attracted to philosophers, partially, has to do with making sense of the world around us as well as the making of worlds, and in our case, the realities we create can be as real as concrete. These kinds of ideas, of wild imagination, go into the question of how you make a world.
Confusion is what we're living with - not being able to make sense of what's happening to us from day to day. Whereas making sense is what we're aiming for - making sense.
I'm as much interested in the form-making as well as getting you to think about what we're doing to the world around us.
The left brain is responsible for making order out of chaos, for making sense of things in the world that don't always add up. To do this, it often makes up stories, fantastic confabulations in some cases, just to be able to explain what we're experiencing.
You're not just making music for your personal use no more, just making music for your homies around you; you're making music for people around the world. Kids in Alaska - like, you're making music for everybody. When I make music, I just think on a larger scale.
I was definitely looking for a reason to impose rules in the story during the writing process... a set of reasons that you could graph for why it's not chaos and anarchy - for why it has to be order, and why you need architects and an architectural brain to create the world of the dream for the subject to enter.
You can also see sometimes that the best pictures are the ones where you didn't try so hard, where you were just enjoying the process - and you didn't even know why you were making the picture. It felt right. If someone asked, 'Why are you making this picture?' you probably couldn't describe it very well - and that's why it needs to be a photograph.
In creating a building, architects do think they're making the world a better place. And then they hope to make the world an even better place by making another thing which will be even bigger than the last thing... and it is part of the pathology of being an architect to believe thus, and they do believe it, despite all the evidence to the contrary.
The trouble with words is that they give us the illusory sense that we are making ourselves understood as well as understanding what others are saying. However, when we turn around and come face-to-face with our destiny, we discover that words are not enough.
I am not sure just what Marx had in mind when he wrote that "philosophers have hitherto only interpreted the world in various ways; the point is to change it." Did he mean that philosophy could change the world, or that philosophers should turn to the higher priority of changing the world? If the former, then he presumably meant philosophy in a broad sense of the term, including analysis of the social order and ideas about why it should be changed, and how. In that broad sense, philosophy can play a role, indeed an essential role, in changing the world.
My creativity for making women feel beautiful is one of the reasons I love being Latina. Just making people feel more attractive was always a goal of mine; the creativity - I think it has a lot to do with my culture as well.
When I was working in my first job engineering construction, what I liked the most was working with architects and making buildings that had this creative side coming from the architect and that were making them a big success.
The higher worlds are around us. These worlds are not only heavenly worlds, not only worlds of happiness, though paradise and happiness are in them, but they are also worlds that could be terrible for the people, by dangerous facts and creatures.
I can't remember why or how I started writing, but I think it was always a way of making sense of the world.
Is there an answer to the question of why bad things happen to good people?...The response would be…to forgive the world for not being perfect, to forgive God for not making a better world, to reach out to the people around us, and to go on living despite it all…no longer asking why something happened, but asking how we will respond, what we intend to do now that it has happened.
I'm making music for people to have fun and party to. I'm also making real music as well. I'm making a lot of pop stuff. I'm definitely just making music for the consumer and the listeners. So shout out to all my fans.
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