A Quote by Jincy Willett
Dialogue is generally the worst choice for exposition. When you're writing lines you need to focus on the way people actually talk. And when we talk to each other we never actually explain our terms. We don't say 'Sweetheart, would you pass me the sugar bowl, which we picked up for a song at that antique stall in Munich.'
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I just talk just to talk. I like to see what other people think. There's some things somebody tweets me every day where I'm like, 'Wow, I never thought of this issue that way.' It starts great conversation with people who I would never get a chance to actually communicate with.
I never really focus on writing for other people, to be honest. Every song I've ever written was for me to sing. Maybe if I'm writing for a rapper, but I'd still write it as though it was for myself and then sometimes I'm actually asked to do the part.
I find the best way to make things real is to just put two characters into a space and let them talk to each other in the way that they would talk to each other, and then see what they would say. I know it sounds weird, but that leads the plot and takes you in another direction.
Best friends are people you know you don't need to talk to every single day.
You don't even need to talk to each other for weeks, but when you do,
it's like you never stopped talking.
I actually think that my films are intellectual. I think almost everything I do is intellectual, but I would never say that, because that's a compliment. That's up to others to say about me. The same way, I would never say I do art. I think art is up to history. It's up to other people to utter that word. So I try to be humble.
It's not enough simply to record the way people actually talk. The dialogue must be concentrated, shaped, dramatically moving, in a way that real-life conversation seldom is.
The whole purpose of screenwriting is to convey everything through action and dialogue and not explanation and exposition. To me, there are movies where voiceover works really well because it does something more than exposition; it actually becomes a tonal element of the movie.
I'd turn off the internet for a month and make us actually talk to each other, and be responsible for your opinions and not be able to hide behind the anonymity of the cyber-wall to speak your mind. To actually have to face people and see their reactions and discuss it - actually discuss it. It won't happen. Unless the grid goes down.
Now, Marlon and I - for some reason, even today - even today, we can't say two words to each other. We really can't talk to each other. You know, I say to him - Marlon can't talk. I mean, he'd talk to you. But he can't talk.
I love religion. I could make up religions all day. I sort of think that in an ideal world I'd like to be a religion designer. I'd like people come up to me and say, I need a religion. I'd go talk to them for a while, and I'd design a religion for them. That would be a great job. There's a need for people like that. Fortunately, seeing that one can't actually do it, I get paid for sort of making them up anyway.
I'm not a player, I'm an alien. I wasn't actually there. I was in another galaxy with my galactic friends. My focus is on winning championships. I don't focus on anything else. Aliens only want to win championships. That's it. Injuries is not a focus. Trade talk is not a focus. Nothing is a focus. Gluten-free pasta is not a focus, which I would rather have gluten-free pasta. Hey, if I have to have regular pasta. ... It is what it is. I'm still going to try to win a championship. Nothing will distract me from my focus, my galactic mind.
There's a lot of pretense out there. It can be exhausting. When people see something genuine, even if it's something as simple as two people actually being friends, actually enjoying what they're doing, or actually standing up for each other, that translates in a big way.
I've worked on shows where the actors don't talk to each other, and if they want to talk to each other, they talk through the director. What kind of existence is this? If I have to spend 14 hours a day with somebody, we're in a relationship. We'd better talk it out.
[Buckminster Fuller] was quite willing to talk. He'd talk at the drop of a hat.I learned to talk in front of people by listening to the way he did things. Because he would give lessons in how to lecture. He would say, "Never take a note, just stand up and start babbling. And then eventually you're going to be able to make some coherent statements, and so it's like you're vamping. And then people will gradually start to listen to you when this spot of logic shows up in this torrent of verbiage.
Talk is free. You never know what's going to happen after you talk. There's always a perception about a guy until you actually sit down and talk with him.
Yes, it's in my left ear. It's excruciating... I mean, it's the worst thing 'cause it's not... It never... It does go away - it's not true to say that it doesn't but, uhh... It doesn't... The doctors say it won't... It isn't actually going away - you've just gotta suppress... They try to come to terms with what it actually... Why some people fear it - that's the psychology behind it. They know it's there but why is it such a horrible sound? Well, you can say why is a guy scratching at a window with his nails such a horrible sound - I couldn't put up with that! This is worse!
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