A Quote by Jlin
My comfort zone musically, I wouldn't necessarily say I have one now. But, when I did have one, I can definitely identify that it was sampling. I had to identify it honestly as sampling because I started to become dependent on using samples in order to make a track rather than being dependent on myself to make the track because I maybe didn't trust myself enough then.
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They say that life is tough enough. But I guess I like to make things difficult on myself, because I do that all the time. Every day and on purpose. That's because I believe in disrupting my comfort zone.
I listen to a lot of different kinds of music and rather than just doing one thing when I make an album, the challenge to myself is to write all these diverse tracks, but to make them work. It's like a jigsaw because if you've got a lyrical track going into a hard rock track... it's got to work. You've got to write things that will work together.
I'm not that big a fan of sampling. But I feel like if I'm going to do it, I'm going to do it to where it's more of a reimagining of a track. The songs that I do utilize samples on, most of it you wouldn't even be able to tell what it was unless I told you.
A funny thing happened on the way to utopia: We've turned into this surveillance society and become a race of spies, where we track our kids and we track our spouses and we track our friends. I think very soon there will be an obsolescence of trust, because it's much easier to access a person's location than it is to ask - or to trust.
Did you get Mom a birthday present?" Helen asked. "Yes," Gansey replied. "Myself." "The gift that keeps on giving." "I don't think that minor children are required to get gifts for their parents. I'm a dependent. That's the definition of dependent, is it not?" "You, a dependent!" his sister said, and laughed. "You haven't been a dependent since you were four. You went straight from kindergarten to old man with a studio apartment.
When I ran track, I couldn't see myself doing anything other than running track. Now I'm in wrestling, and I can't see myself doing anything other than wrestling, because I've completely fallen in love with what I do in this business.
I had no words for these feelings. And then people started using the word Ms. Suddenly, there was this handle with which I could identify myself and understand why I felt so out of whack with the culture around me.
I used to hate sampling, but it was basically because everyone was getting paid but us. But when they began to do the legislation and get it right, I realized that the kids just did something that, if maybe we were smart enough, we would have done it as well.
I've realized that my... let me call it 'destiny' or some force that has pushed me to identify looking for your comfort zone as a kind of limitation. And everybody has a tendency to fall into the comfort zone. I did that in the early stage of my career.
I had a little more freedom when I started sampling because you could actually do what you wanted to do.
I wanted to be on my own. I couldn't wait to be on my own. It did not scare me. I was dependent my parents. I wasn't dependent government, but I was dependent on my parents. I started working essentially when I was 16, but I was still dependent on my parents. I couldn't wait to be on my own.
I know from the elders that it's not so easy to sustain a life in music, a presence in the music world, for decades on end. And that's what we're here for: we're thinking about the long game. If that is dependent on other people's desire for me, then it becomes extremely vulnerable to change. Rather than subject myself to that vulnerability, I'd rather embrace change and allow myself to transform, and maybe that means that what I do next week, the people who liked me last week won't like anymore, but maybe that will also lead people to like something else.
I did volleyball, basketball, and track all through high school. And then I went to junior college and I stuck with track because I was good at shot put and discus. And then I got a full ride to Fresno State for their track program. Shot put was my main thing. I was the five-time All-American, and I set a couple records.
I love sampling, and RZA loves sampling, too.
I'm bored with DJs. Anybody that puts the title DJ in front of their name immediately turns me off. I prefer the term "sampling," because it has both the dilettante side, like someone tasting wine or caviar, but also functions as a kind of litmus paper dipped into culture. And the whole semi-legality of sampling is very interesting as well. So a DJ is not really creative enough for me to be an appropriate metaphor.
My life's goal is to find a happy medium for sampling to be not only legal but for the right parties to benefit from it. There have to be sampling laws. The survival of hiphop is based on that.
