A Quote by Joan Smalls

I was the troublemaker, always being funny - that's just who I am. — © Joan Smalls
I was the troublemaker, always being funny - that's just who I am.
Back home I had always been comfortable around people. I was the troublemaker, always being funny - that's just who I am. I'm Latina; I've always had that extra little flavor. But when I got to New York, it became about being comfortable with myself in a place where I didn't know many people, and that was the big challenge. Ultimately my personality helped me build relationships with the people I was working with, and I was able to stand out.
I was just a goofy little funny kid, who was always getting sent to the principal. It wasn't serious because I was smart. I wasn't like a true troublemaker, just rambunctious - like, talkative and trying to be funny. That was me in middle-school.
Just be funny. Funny always goes over well, so try to think of something funny to break the ice rather than being weird or using pickup lines.
I never know when I am being funny, and the other way too. I don't think you can think about that. I don't think you can try to be funny. Some people are just funny.
One second here and there will make all the difference between something being funny and not being funny. That's why I like going, 'Well, we wrote that six months ago, and it was funny one time we read it, but it's not funny anymore. So what? Just dump it.'
I am interested in work that jumps boundaries, and that makes trouble. Part of me is comfortable with that: with being a bit of a troublemaker.
I always wanted to be a comedian, even when I was a little kid. I had a funny father who was in the news business, by the way. He was a radio news guy. So the news was always in my house, and funny was always in my house. It was sort of just baked into the DNA that I would do this for a living, but I can remember being less than 10 years old and dreaming about being a comedian.
I just talk about the funny things in my life, and the idea is that my observations reflect the lives of my audience - so people are really laughing at themselves. This is the theory, anyway, and I am aware that in print, that it doesn't appear to be very funny. But it is, and I am definitely funny.
I always thought when I was doing more melodramatic stuff like Everwood that the directors were constantly reeling me in and stopping me from being funny. I've always tried to find a funny angle on things, and 99 percent of the time, it just doesn't work.
When the Chinese suspect someone of being a potential troublemaker, they always resort to one of two methods: they crush him, or they hoist him on a pedestal.
Onstage, it's all just a heightened and more elaborate version of me. When you're standing onstage, your adrenaline is going, your enthusiasm is at full tilt, and the excitement helps elevate you're attitude. I've always wanted to be as close to myself offstage, being funny with my buddies, and that's what I've worked hard on - being authentic to who I really am.
The problem is that we live in an uptight country. Why don't we just laugh at ourselves? We are funny. Gays are funny. Straights are funny. Women are funny. Men are funny. We are all funny, and we all do funny things. Let's laugh about it.
I am much more likely to care about someone trying to be funny and give them some credit for whatever he or she did that was remotely funny than I am to be mused by somebody declaring this isn't funny, that isn't funny, this sucks. If you want to write humor, you're going to have to get used to that.
I've never set out to write a funny movie or be a funny comedian as a woman. I am a woman. I don't really have a choice in the matter. My goal is just to be funny.
Rapping can be repetition sometimes. Sometimes you gotta highlight your words in a certain kind of way. So I always was a fan of sing-rapping. It was always funny to me a little bit, and I think that being funny and being able to laugh, even at yourself, is a form of flattery.
You shouldn't worry who gets the funny line, just that you're being funny as a double act. With us, it flips all the time. There's no real straight man or funny man.
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