A Quote by Jodie Turner-Smith

The first job I booked was on 'True Blood.' I played a blood siren. — © Jodie Turner-Smith
The first job I booked was on 'True Blood.' I played a blood siren.
I was nervous when I first started True Blood because if you do a play or a movie, you know the complete arc of the character. You can see the end. But with a show like True Blood, you don't know what's going to happen.
At one point I had a stretch where it was working on 'In Treatment,' then 'True Blood,' then 'Durham County,' then 'True Blood,' then 'In Treatment' again. If I didn't have that little dose of 'True Blood' in the middle, I might have lost my mind.
As for the blood and the head business, the blood and the head work together and what is not first in the blood can sometimes reach it by going first through the head and what is wrong in the blood can sometimes be tempered by the head.
We have seen that blood united to blood in the case of but remotely connected species of animals, kills; blood united to blood in the case of more closely allied species of animals does not kill. The physical organism of man survives when strange blood comes in contact with strange blood, ... but clairvoyant power perishes under the influence of this mixing of blood, or exogamy.
Ford carried on counting quietly. This is about the most aggressive thing you can do to a computer, the equivalent of going up to a human being and saying "Blood...blood...blood...blood...
I'd watched every episode of 'True Blood' from the very beginning. The show's characters were in my blood, so when I started, I was really prepared. I made sure I wasn't the new guy asking stupid questions on his first day.
Co-writing the 'True Blood' comic is a dream come true both as a performer on the show and as longtime comic fan. It's a real privilege to build on the rapidly growing 'True Blood' mythology.
I've always freelanced as an actor, and you always have to worry about the next paycheck. When I booked 'True Blood,' I promised myself I would take advantage of the fact that for the first time in my career, I could afford to turn down big money to go and do small, character-driven indies.
It was better that a little blood should be shed that much blood should be saved. The blood that was shed was bad blood; the blood that was saved was good blood.
"Out, damned spot!" That is the true cry of human nature. That stain cannot be removed without blood and that which is infinitely more, and deeper, and profounder, and more terrible than blood, of which blood is but the symbol - the suffering of Deity.
On 'True Blood,' the character's name is Sookie Stackhouse, and my name is Suki Waterhouse. So, I get people saying, 'Oh, I thought we were meeting the girl from True Blood.'
The role that blood plays in Christian iconography is huge - the washing of the blood, the shedding of blood, the blood of the cross, the crucifixion, the violence of that imagery. These are horrific, and yet they are at the center of the Christian faith. There is a place where beauty and terror merge, and it's at the cross.
The interesting thing about 'True Blood' is that its appeal is not contained to teenage girls. I get stopped in the street and questioned by 70-year-old men whose wives and daughters are making Bloody Marys and throwing 'True Blood' parties.
Of all writings I love only that which is written with blood. Write with blood: and you will discover that blood is spirit.
In that first blow to the deaf walls of those who have everything, the blood of our people, our blood, ran generously to wash away injustice. To live, we die. Our dead once again walked the way of truth. Our hope was fertilized with mud and blood.
We're more of the love, blood, and rhetoric school. Well, we can do you blood and love without the rhetoric, and we can do you blood and rhetoric without the love, and we can do you all three concurrent or consecutive. But we can't give you love and rhetoric without the blood. Blood is compulsory. They're all blood, you see.
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