A Quote by Jody Lynn Nye

Zeus Is Dead is full of laugh-out-loud moments, lashings of sly wit, moan-worthy puns, and a complex, fast-paced storyline. There aren't very many humorous fantasy murder mysteries out there, especially not as intricately constructed as this one. Michael G. Munz takes a 'What if,' and runs with it like a toddler with Mom's smart phone. The guffaw-worthy throwaway bits will remind you of Douglas Adams. A very enjoyable read.
Of course you are unworthy. But when do you hope to be worthy? You will be no more worthy at the end than at the beginning. God alone is worthy of Himself, He alone can make us worthy of Him.
I'm a very jovial guy. I like to laugh, and when things strike me as funny, I don't hide the fact that it's humorous to me. It almost doesn't matter where I'm at: I will burst out and laugh if it's funny to me.
Wait just a minute," Ares growled. He pointed at Thalia and me. "These two are dangerous. It'd be much safer, while we've got them here—" "Ares," Poseidon interrupted, "they are worthy heroes. We will not blast my son to bits." "Nor my daughter," Zeus grumbled. "She has done well.
THE NAME OF THE WIND has everything fantasy readers like, magic and mysteries and ancient evil, but it's also humorous and terrifying and completely believable. As with all the very best books in our field, it's not the fantasy trappings (wonderful as they are) that make this novel so good, but what the author has to say about true, common things, about ambition and failure, art, love, and loss.
In the upshot there is only one answer for the preacher who wonders whether he is worthy to preach the sermon he has composed or for the writer who wonders whether he is worthy to write the religious book he is working on. The answer is: Of course not. To ask yourself: Am I worthy to perform this Christian task? is really the peak of pride and presumption. For the very question carries the implication that we spend most of our time doing things we are worthy to do. We simply do not have that kind of worth.
It was a role [Dean Sanderson] I hadn't seen before, and yet it was very accessible and relatable at the same time. I read scripts that have one or the other, but I rarely read scripts that have both. And it was laugh-out-loud funny.
I feel like there's an obsession with pace right now in theater, with things being very fast and very witty and very loud, and I think we're all so freaked out about theater keeping audiences interested because everybody's so freaked out about theater becoming irrelevant.
Very many and very meritorious were the worthy patriots who assisted in bringing back our government to its republican tack. To preserve it in that, will require unremitting vigilance.
Recognize that whether you are worthy or not is all a made-up 'story'...Nothing has meaning except for the meaning we give it...There's no one who comes around and stamps you 'worthy' or 'unworthy'. You do that. You make it up. You decide it...If you say you're worthy, you are. If you say you're not worthy, you're not. Either way you will live into your story.
You are worthy! Let those words sink deep into your heart. You are worthy. Life can get overwhelming for us, as our busy schedules keep us on our toes. Sometimes we forget that we need to intentionally slow down, take a deep breath, and remind ourselves of our purpose, the very foundation of why we do what we do. When we neglect to quiet our souls and rest in God's amazing grace, we miss out on the intimate opportunities where God assures us of our worthiness, clarifies our purpose, and strengthens us to endure each day.
It's difficult to differentiate between a story that's humorous and clever and one that actually makes people laugh out loud.
So I hope that there are people out there laughing. Laugh loud, please. Laugh until your lungs give out because I will have the last laugh.
[Ginsburg's] feminism was very sweeping and very ambitious and very consistent. Justice O'Connor had a more case-by-case, pragmatic approach to her feminism. They were not entirely the same, [but] I think that they shared the most important thing, which is the belief that they were worthy and that therefore other women were worthy.
Noah Baumbach does more takes than any director I've ever worked with. He runs a very quiet set and he runs a very hard working set. He has such an intense level of dedication to what's happening that he cultivates a group of people around him who have an equal level of dedication. Nobody asks, "When is lunch?" That's just not part of our sets. It's complete immersion. He has a 'no cell phone' rule. Nobody checks their cell phone. Nobody reads on set. It's like, "If you're there, you're there. If you're not on board with that, don't work on this movie."
Usually, when you get early versions of scripts, they are not very good. I found 'Borgen' amazing from the very first read-through because of how fast-paced and gripping it was. It felt more international because of the way it didn't dwell on the characters' personal lives as many Danish shows used to, but still, nobody thought it would travel.
For me, whatever you write about should be worthy of your attention, worthy of your gifts. That's very important.
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