A Quote by Joe Carnahan
You can't stand at the Bellagio and watch these seven story fountains and not go, 'That's something of extraordinary man-made beauty.'
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I've always been less interested in the person on the top of the Bellagio than I am at the person whose house got moved to create the Bellagio.
Wherever you go, man-made things are man-made, but you’ve got to get out and see God’s beauty of the world.
I've gotten to go to the Opry a couple of times and stand backstage and watch. But I made it a point not to take a tour or stand in the circle until music took me there. I told myself that was one place I'd never go unless music took me there.
Meditation is the most extraordinary thing if you know how to do it, and you cannot possibly learn from anybody; and that's the beauty of it. It isn't something you learn, a technique, and therefore there is no authority. Therefore if you will learn about yourself, watch yourself, watch the way you walk, the way you talk, how you eat, what you say, the gossip, the hate, the jealousy. If you are aware of it without any choice, all that is part of meditation, and as you go, as you journey, as that movement goes, all that movement is meditation. Then that movement is endless, timeless.
Beauty belongs to the sphere of the simple, the ordinary, whilst ugliness is something extraordinary, and there is no question but that every ardent imagination prefers in lubricity, the extraordinary to the commonplace
A first novel of astonishing force, craft and beauty, The Headmaster's Wager conjures up a dizzyingly evocative wartime Saigon in the story of Percival Chen, a Chinese schoolmaster in Vietnam. This extraordinary book made me weep. Read it.
If man can fly, it won't be something extraordinary! But if man can become immortal, now that will be extraordinary!
At root, a pearl is a 'disturbance' a beauty caused by something that isn't supposed to be there, about which something needs to be done. It is the interruption of equilibrium that creates beauty. Beauty is a response to provocation, to intrusion. ... The pearl's beauty is made as a result of insult.
In stand-up you can go either way. It's live. Somebody might say something in the crowd, you might respond to it. But in a movie you could be spontaneous too. But you pretty much have to stick to that story or that scene or that script, but in stand-up you can go wherever you want to. It's more freedom.
What made the beauty of the moon?
And the beauty of the sea?
Did that beauty made you?
Did that beauty make me?
Will that make me something?
Will I be something?
Am I something? And the answer comes: already am, always was, and I still have time to be.
I've always thought that the most extraordinary special effect you could do is to buy a child at the moment of its birth, sit it on a little chair and say, "You'll have three score years and ten," and take a photograph every minute. "And we'll watch you and photograph you for ten years after you die, then we'll run the film." Wouldn't that be extraordinary? We'd watch this thing get bigger and bigger, and flower to become extraordinary and beautiful, then watch it crumble, decay, and rot.
Movies, novels, TV shows - these are the water fountains of today. We thirst for stories which speak to us by representing us, but we go to the water fountains in the centre of town looking for that, and we're turned away, sent to the ghetto.
I know it's trash: just another story made up to scare wicked females and correct unruly children. But it's all I have. I know I need something else. Something better. Like a story that shows how brazen women can take a good man down. I can hum to that.
The beauty in the story is at one with suffering. That is also part of our upbringing - we don't think there could be beauty
otherwise. Beauty is the result of having been through an experience all the way through to the end - therefore it has a poignancy. Beauty that is
singular always comes from following an experience to the point where you can go no further.
I've gone to Yaddo many times, I've worked at the Rockefeller Foundation's Center for Scholars and Artists in Bellagio. That these are places of beauty and of changed landscape is helpful - but far more important for me is that they offer what I feel as a monastic luxury: undisturbed time.
I've realized that a lot of people go to see film or theater with a different expectation. I have a friend who's an actor and I can't stand watching movies with him because he never quite allows himself to just watch the story. He'll comment on the lighting, he'll comment on the [camera] angle. I'm not saying there's a wrong way to watch it - maybe that's helpful to him - but to me, you're getting way too caught up in the technical aspects.
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