A Quote by Joe Dante

I think 'Pan's Labyrinth' is genius. — © Joe Dante
I think 'Pan's Labyrinth' is genius.
I think Pans Labyrinth is genius.
I'd love to make a film like 'Pan's Labyrinth.'
Most of the time - in 'Pan's Labyrinth' or 'Devil's Backbone' - I'm talking about my childhood.
when you think you've got hold of a genius ... you can't be sure whether it's a spark of the divine fire or a mere flash in the pan.
Pan's Labyrinth works on so many levels that it seems to change shape even as you watch it. It is, at times, a joyless picture, and its pall of sadness can begin to weigh you down.
Everything I do, I do it with the hope that people will watch it more than twice. Whether it's 'Pan's Labyrinth' or 'Pacific Rim' or the opening of 'The Simpsons,' I do it with that hope.
Every movie, I complicate. I make the hard choices. I remember when I was pitching 'Pan's Labyrinth:' An anti-fascist fairy tale set in Civil War Spain, where the girl dies at the end. It's not easy.
And that dismal cry rose slowly And sank slowly through the air, Full of spirit's melancholy And eternity's despair; And they heard the words it said,- "Pan is dead! great Pan is dead! Pan, Pan is dead!"
Any actor I admire and enjoy working with - Sergi Lopez as the bad guy in 'Pan's Labyrinth,' or the little girl who played young Mako in 'Pacific Rim,' it makes no difference - I like actors with a very strong centre.
I thought Pan's Labyrinth was one of the greatest films I've ever seen, just pure artistry. Guillermo Del Toro is just really something, this guy. And he's a real mensch: down-to-earth, funny, huggy, and terrific.
I loved 'Pan's Labyrinth.' It transported me into another world. I like fantasy worlds; I love 'Lord of the Rings' as well, for that reason, because you really get to get out of reality and go somewhere else.
A labyrinth of symbols... An invisible labyrinth of time.
I heard my name associated with the Peter Pan syndrome more than once. But really, what's so wrong with Peter Pan? Peter Pan flies. He is a metaphor for dreams and faith.
There are some people who are happy to be African writers. They are pan-Africanists. I'm not a pan-Africanist. I think African countries have a lot in common. But we are also very different.
I thought of a labyrinth of labyrinths, of one sinuous spreading labyrinth that would encompass the past and the future . . . I felt myself to be, for an unknown period of time, an abstract perceiver of the world.
How will I ever get out of this labyrinth!" In reality, "How will I ever get out of this labyrinth!" were probably not Simon Bolivar's last words (although he did, historically, say them). His last words may have been "Jose! Bring the luggage. They do not want us here." The significant source for "How will I ever get out of this labyrinth!" is also Alaska's source, Gabriel Garcia Marquez's The General in his Labyrinth.
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