A Quote by Joe Johnston
Anonymity is a wonderful thing if you can hang on to it. I live in Pasadena where we try to keep the movie people out. We discourage them from moving in our neighborhood and if they do we burn effigies on their lawns.
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Those type of people [in New Orleans] keep me happy and just smiling, you know? I just go hang out and talk with them and they tell me all types of old stories, and sometimes I might even pull my horn out in the middle of the block, and they're playing on beer bottles and different things, and we just do a little second line type thing, just us, four or five people, who are just having fun. That makes me day to be able to do that and go hang out with the people in the (Treme) neighborhood, and to do some shows around town, you know?
The way that you empower the poor to be able to live in those neighborhoods is not to just move them and give them something, give them the better neighborhood. You have policies that allow them to get out of the neighborhood permanently and afford that neighborhood through hard work.
I'm never so into the three-act movie thing. I know that's the form that people talk about, but it seems to me, in the movie, you just have to keep charging forward. You couldn't start over again like you do after an intermission. You just had to keep the plot moving forward.
There's something mystical and wonderful about being in the room with the actual live performer s on stage that works. In film, it doesn't work so you're dependent on a great director to keep the thing moving along.
Our universe - it's three-dimensional, but we can pretend it's two-dimensional so it's like this sheet of paper - and we live in Pasadena over here and London is over there, and it's thousands of miles from Pasadena to London.
I'm a Christian. I'm committed to Jesus Christ and I want people to know about Christ, because it's the most wonderful thing. People can say, 'I'll try and give up drugs,' or 'I'll try and live a better life,' but actually, if you're trapped in that lifestyle, you need, I think, some supernatural power to get you out of it. It's not easy to get out of the kind of lifestyles those people are in where all your family are criminals and all your friends are criminals - that is not an easy break to make, and it is a hard thing for a lot of these people.
Fame really works against actors, in a way, because our anonymity is a wonderful thing for us.
You know the reason I love the stars is because we can't hurt them: we can't burn them, we can't melt them , we can't make them overflow, we can't flood them or burn them up—so we keep reacing for them
People want to be happy, isn't that right? Haven't you heard it all your life? I want to be happy, people say. Well, aren't they? Don't we keep them moving, don't we give them fun? That's all we live for, isn't it? For pleasure, for titillation? And you must admit our culture provides plenty of these.
When you see those in healthcare who don't get this burn-out, they are very motherly, fatherly, or loving and attentive with the patients. [These] wonderful caretakers, doctors, and nurses don't get as much burn-out as people who are more defensive of the feelings and suffering of others.
With my guys and with the way that we live out there, we work out a lot and try to eat right, but we try to basically keep it our own rhythm and our own world.
When I'm in the process of making a movie I'm not thinking about the finished result, and whether people have to see it once or more than once, and what the reaction to it will be. I just make it, and then I live with the consequences, some of which may not be as pleasant as I'd like! I know one thing, however. Many viewers may come out of the theater not satisfied, but they won't be able to forget the movie. I know they'll be talking about it during their next dinner. I want them to be a little restless about my movies, and keep trying to find something in them.
I know why we try to keep the dead alive: we try to keep them alive in order to keep them with us. I also know that if we are to live ourselves there comes a point at which we must relinquish the dead, let them go, keep them dead.
With upper- and middle-class lawns, there's more hidden, whereas with working-class or poor lawns, there's more out to see. It just sits right out there. Very honest. Like the people.
As you become famous you lose some of your anonymity, which is wonderful for an actor to have because you can observe people and also people don't have such a strong sense of who you are and that sort of thing.
Nowadays when a person lives somewhere, in a neighborhood, the place is not certified for him. More than likely he will live there sadly and the emptiness which is inside him will expand until it evacuates the entire neighborhood. But if he sees a movie which shows his very neighborhood, it becomes possible for him to live, for a time at least, as a person who is Somewhere and not Anywhere.
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