A Quote by Joe Russo
I always say one of the great scenes from 'The Dirty Dozen' is where Jim Brown has to get grenades in the chimney.
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If you cannot avoid a quarrel with a blackguard, let your lawyer manage it, rather than yourself. No man sweeps his own chimney, but employs a chimney-sweeper, who has no objection to dirty work, because it is his trade.
There are about a dozen great computer graphics people and Jim Blinn is six of them.
Musically, it's difficult to believe Jim has only two hands and one set of vocal cords. You would think that there were a dozen of him if you closed your eyes and listened. From a visual artist's standpoint, Jim is a man of a thousand faces, all spellbinding.
When I was a little-leaguer, I was sort of famous for stealing bases - and it started only because my mom wanted to be sure where I was in the afternoons. Mom always used to say, "If you don't come home dirty, you didn't play a baseball game." So I always tried to get in a situation where I had to slide so that I could go home dirty.
A legal broom's a moral chimney-sweeper, And that's the reason he himself's so dirty
I've always loved New Orleans music. I always loved it when the Neville Brothers opened up for the Grateful Dead and the Dirty Dozen and all that.
The great joy of doing 'The Daily Show' for me is that I get to sit on the fence between cultures. I am commenting on the absurdity of both sides as an outsider and insider. Sometimes I'm playing the brown guy, and sometimes I'm not, but the best stuff I do always goes back to being a brown kid in a white world.
I think a lot of the production process is always giving yourself, like what I call like escape routes, like, if this scene doesn't play, if we realize we've had too many dirty scenes in a row, and it's like, because you don't have the luxury when you're in the middle of shooting, to see how these scenes play all in a row, kind of, you know what I mean. So, like we're always trying to like have insurance policies on, ok, if that doesn't work, we can just jump to this thing.
The secret to 'Year One' is that it's a Jim Gordon story. It's a great Bruce Wayne story, don't get me wrong, but Jim Gordon is the focus of that book. To me, that's the stronger emotional arc. It's not that the Bruce Wayne stuff isn't masterful, because it is, but it's Jim's book.
I think Jim got screwed. I think Jim Bakker would have been a great preacher. Jim Bakker was very good at what he did.
I remember as a young man seeing these bigger-than-life, strong images of black manhood in the form of Jim Brown and Fred Williamson, Jim Kelly, Billy Dee Williams. All these guys were these alpha males who were smart, attractive. I said, 'Wow, I want to be like that.'
I was in TNA for over a dozen years. I had a great run there - I had a great career - but obviously, WWE has always been the be-all, end-all of sports entertainment. Until you get there and experience it on a personal level, you just don't know.
I love 'The Dirty Dozen.'
I had a niche. And my niche was that I was brown. So it's like, 'Great, I get to go up for all these 'brown parts.'' I call them 'brown parts' because that's what they are. That's not to be resentful, because I loved playing those parts - I got to meet so many cool actors.
We all make mistakes. Luckily for us, there are very few mistakes that cant be solved with a suitable application of either lipstick or hand grenades" - Frances Brown
And so there would always be more to remember that could no longer be seen...our history is always returning to a little patch of weeds and saplings with an old chimney sticking up by itself...and here I look ahead to the resting of my case: I love the house that belonged to the chimney, holding it bright in memory, and love the saplings and the weeds.
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