A Quote by Joe Russo

We never intended to be comedic directors; it was just something we fell into. — © Joe Russo
We never intended to be comedic directors; it was just something we fell into.
Never really intended to be a comedian, just sort of fell into that, but always wanted to be in show business, or something to do with making comedy.
I thought I would be at United for a couple of years, maybe three or four, and then go abroad somewhere. But I just fell in love with Manchester United. I fell in love with winning, fell in love with the history of the club and being part of it was something I could never have imagined.
I've never done anything comedic. In all the years I've been an actor, I've never delivered one comedic line.
I'm a comedic actor, not to mix words, but it's something I think about. A comedic actor. I like to think that Christopher Guest, Phil Hartman, Peter Sellers and Alec Guinness are comedic actors. And Dan Aykroyd, too. Those are my heroes.
Stoller is one of my favorite comedic directors - one of my favorite directors that I've worked with to date.
If you look at 'The Best Man,' there's a lot of humor in that, but I never consider that movie a comedy. I felt that it was a drama with comedic elements and comedic parts to it.
Dan Curry is the funniest guy in the world. I can sit in a room with him for hours, and he's just cracking me up constantly. And Kitao is the next Terry Gilliam. A lot of comedy directors are just comedic writers, but they don't have any sense of aesthetic or visual vocabulary.
I wasn't a class clown, I never developed this comedic flair as a kid. Even when I decided to become an actor, it was just to be an actor, not necessarily a comedic actor. I wasn't that guy who struck out with women so he became really funny, and that's when the women started to like him.
I never intended on starting a charity; I never intended on cancer, health, and wellness becoming my life.
Songwriting's a weird game. I never intended to become one - I fell into this by mistake, and I can't get out of it. It fascinates me. I like to point out the rawer points of life.
Amy Sherman-Palladino is very funny. She's got just natural timing and comedic instinct. And she writes in a comedic rhythm.
I traveled the world ten times over doing something I never thought I'd do in a million years. I found myself in Tokyo, Japan. I (was in) a Dell Computer commercial, the first thing I had ever done, and I fell in love with it. I fell in love with the green screens, I fell in love with (everything). The translator was explaining everything to me. It was a passion like I had never felt before. I came back and it took me five years to really accept that that was okay.
As a director, just to be able to jump in to do something that's different, and to explore comedy and be challenged by that, is great. Some directors never get that opportunity.
Most directors, I discovered, need to be convinced that the screenplay they're going to direct has something to do with them. And this is a tricky thing if you write screenplays where women have parts that are equal to or greater than the male part. And I thought, 'Why am I out there looking for directors?'—because you look at a list of directors, it's all boys. It certainly was when I started as a screenwriter. So I thought, 'I'm just gonna become a director and that'll make it easier.'
When Siobhan left, we never fell out or had a huge argument. She just wanted to move to America and do something different.
I never intended to be in show business; I intended to be an extremely grounded person.
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