A Quote by Joe Russo

I think movies moving forward are going to become long-form storytelling. — © Joe Russo
I think movies moving forward are going to become long-form storytelling.
Television is what we call the long form of storytelling, where we tell stories over thirteen, twenty-two, or twenty-four hours. Miniseries is an eight-hour form of storytelling, and film is a two-hour form. Each and every one of them are important to me, because they're a different modality of storytelling.
I think television has become such an interesting place for characters and for incredible storytelling. Half of what I watch are television shows that I've become obsessed with. I just think that it's opened up so much, to be such an interesting and creative medium, and so many wonderful directors and actors are moving to television because it is a great medium for telling stories and for creating a character over a long period of time.
I think there is a real thing going on where writers are feeling more liberated to write with a big canvas because of a demonstrable, continued appetite for long-form storytelling.
You have to think about storytelling over the long haul: what is going to engage an audience for, potentially, years and how characters can become deeply involving for an audience.
In order to deal with the issues we're going to take a thoughtful, considered, intelligent approach to moving forward, we're going to do it with a great deal of consultation ... but to suggest you never change anything ever, ever, ever going forward I don't think is particularly responsible.
As long as you're moving forward whether it be one step or ten feet man, you got to keep going.
The most important thing is, how can I move forward towards something that I can't articulate, that is new in storytelling with moving images and sound?
I started as a journalist for magazines in New York City, so it was always storytelling. And moving into movies was a natural transition.
I think our culture is moving forward - slowly. And also, as we move forward, we're witnessing some of the old stalwarts rejecting that forward motion.
In some ways, it's easier to go from short form to long form than vice versa. I used to make 30 second 'movies,' and I think if I only did long form I would find it difficult to adjust to that short a length. 'I gotta say something in 30 seconds. Forget about it!' There have been directors who have done commercials over the years, but they seem to be the exception.
You know, I think there was a point in time when people didn't really understand how birth certificates were kept in the state of Hawaii, and now, I think that it's been pretty much disclosed that they used to have a long form and now they don't have a long form. Arizona used to have a long form, we now have a short form.
Good storytelling doesn't have to be in the form of the classics. It doesn't have to be revered by everybody. In fact, to me, the best storytelling is not universally loved by every single person. I think you can water down the ethicacy of the work, itself.
Moving forward, the best way is going to be something that is going to be a collective decision, that is made, of course, with President-elect [Donald] Trump having the primary say as to how to move forward. But all those opinions will be in the room.
I actually see a lot of the pain and destruction, like Black Lives Matter, in the long-term as positive because it shows that we're moving forward; we're evolving and moving and challenging the frontiers.
As long as we are engaged in storytelling that moves the culture forward, it doesn't matter what format it is.
I've added to my abilities since moving to Bournemouth. You are always having to re-learn how to be a centre-forward as the game is moving forward.
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