A Quote by Joe Russo
With a character called Captain , you have to address the concept of who he is because his identity is tied to his country.
Related Quotes
The narrative constructs the identity of the character, what can be called his or her narrative identity, in constructing that of the story told. It is the identity of the story that makes the identity of the character.
At first sight, his address is certainly not striking; and his person can hardly be called handsome, till the expression of his eyes, which are uncommonly good, and the general sweetness of his countenance, is perceived.
Cassano? His talent has never been in question, but his character has. As Italian captain and a big admirer I can only wish him to control his nerves better.
The male is just a bundle of conditioned reflexes, is incapable of a mentally free response, is tied to his early conditioning, is determined completely by his past experiences. His earliest experiences are with his mother, and he is throughout his life tied to her. It never becomes completely clear to the male that he is not part of his mother, that he is him and she is her.
I think as an actor... I don't like to compare a character to anybody else, just because I respect other people's work, and I want that character to have his own identity.
It is true that the poet does not directly address his neighbors; but he does address a great congress of persons who dwell at the back of his mind, a congress of all those who have taught him and whom he has admired; they constitute his ideal audience and his better self.
I have this old-man character named Glary Oldman. His apartment was on fire, but he was stubborn about leaving because he didn't want to leave all his stuff. I have a character called Berle, who lost 19 pounds, and now he's 600 pounds and very happy about it.
I was the vice-captain of Government College, Chandigarh, and around the same time, Kapil Dev was also representing his college. I knew his close friend very well, and I really respected his achievements when he started playing for the country.
The doctors take the bodily evidence as the disease. . . . disease is itself an impudent opinion. He throws off the feelings of the sick and imparts to them his own which are perfect health, and his explanation destroys their feelings or disease. . . . He is like a captain who knows his business and feels confident in a storm, and his confidence sustains the crew and ship when both would be lost if the captain should give way to his fears.
Because he's a character who's looking for his own identity, [He-Man is]
an interesting role for an actor.
Everyone is concerned about his niche, his name, and wants to adapt the concept to so-called national characteristics. But at the end of the day, it's all the same.
They tied his arms behind his back to teach him how to swim, they put blood in his coffee and milk in his gin.
Someone who thinks well of himself is said to have a healthy self-concept and is envied. Someone who thinks well of his country is called a patriot and is applauded. But someone who thinks well of his species is regarded as hopelessly naïve and is dismissed.
It ought to be quite as natural and straightforward a matter for a labourer to take his pension from his parish, because he has deserved well of his parish, as for a man in higher rank to take his pension from his country, because he has deserved well of his country.
The individual who refuses to defend his rights when called by his government deserves to be a slave, and must be punished as an enemy of his country and a friend to her foe
Depending on the year or the therapist he was seeing, he'd learned to ascribe just about every facet of his character as a psychological reaction to his parents' fighting: his laziness, his overachieving, his tendency to isolate, his tendency to seduce, his hypochondria, his sense of invulnerability, his self-loathing, his narcissism.
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