A Quote by Joe Satriani
For a little kid like me, growing up in Carle Place, you put on John Lee Hooker late at night, and it's a different reality. I try to feel that music from the inside out because I was really attracted to it.
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My dad was a blues musician around Dublin when I was a baby, so the only music I would listen to growing up was John Lee Hooker and Muddy Waters. It's music that feels like home to me.
I was essentially raised on blues music. My dad was a blues musician around Dublin when I was a baby, so the only music I would listen to growing up was John Lee Hooker and Muddy Waters. It's music that feels like home to me.
I was always a tomboy as a kid. I always had boyfriends. I was just a regular girl growing up in the late '50s and early '60s, but I was never really attracted to what the girls were attracted to: makeup, my appearance, homemaking.
As a little kid, I'd put on shows for my family. I would sing songs and play piano. I thought while growing up in high school that I would stick with music and try to make a career out of that. As I gave it an honest, real shot, I realized it was not for me.
No one told Miles Davis or BB King to pack it in. John Lee Hooker played literally up to the day he died. Why should pop musicians be any different?
People like Howlin' Wolf, Bob Dylan, The Rolling Stones, John Lee Hooker, Nina Simone, Captain Beefheart - all of these artists were what I grew up listening to every day of my life. And there's a very healthy music scene in the west country of England, where I grew up.
I look at John Lee Hooker and Muddy Waters, guys who had a fantastic longevity, and I learned something from them. They didn't try to sell records. They weren't saying, 'Ok, what can I write, what can I do in the studio that will sell?' They were just doing their thing, and people picked up on it. I like the idea of that.
I think I'm attracted to outlaws because they make me feel safe inside, like a little child.
My dad took me out to see a meteor shower when I was a little kid, and it was scary for me because he woke me up in the middle of the night. My heart was beating; I didn't know what he wanted to do. He wouldn't tell me, and he put me in the car and we went off, and I saw all these people lying on blankets, looking up at the sky.
I don't know much about contemporary music. I do have an iPod but I listen to a lot of old blues. I listen to John Lee Hooker and Elmore James. I have been listening to them for years. I was obsessed with Van Morrison for years. I went to see him recently where he performed Astral Weeks. I just spent the entire night crying, but I was really obsessed with Van Morrison.
I don't roll like that but I've never been with a hooker either. Yeah, that's good to say in an interview cause I feel bad a little because people grew up watching me and that's a little disturbing.
My models for graceful aging are guys like John Lee Hooker and Mississippi John Hurt, who never stopped working till they dropped, as I fully expect to be doing, and just getting better as musicians and as human beings.
Most of the time when I have met artists who have meant a lot to me, the experience has been well above expectation. People like Iggy, Lou Reed, Jerry Lee Lewis, Black Sabbath, Nick Cave, Hubert Selby Jr, Billy Gibbons, Al Pacino, John Lee Hooker, James Brown, Johnny Cash etc. have been really great to me. What strikes me is most of the time, the bigger the celeb/legend, the more polite and cool they are. It's the insecure ones who treat you like they're doing you a favor by shaking your hand.
The aggressiveness of it attracted me to hip-hop because I was angry inside. I was an angry kid because of the sickle cell. So I liked the anger in hip-hop. That's what attracted me to it; that's what made me want to do it. It helped me get my aggression out.
Is there one blues guy who was the most sophisticated and influential, like Duke Ellington or Louis Armstrong in jazz? Was it Muddy Waters, Little Walter, Lightnin' Hopkins, John Lee Hooker, B.B. King, Robert Johnson, or all of them? I think you have to pick all of them.
'Boogie Chillen',' by John Lee Hooker - that is a riff.
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