A Quote by Joe Wright

I've made some films that were very much image based: 'Anna Karenina' and 'Pan,' for instance. — © Joe Wright
I've made some films that were very much image based: 'Anna Karenina' and 'Pan,' for instance.
Love. The reason I dislike that word is that it means too much for me, far more than you can understand." - Anna Karenina {Anna Karenina}
Whatever our fate is or may be, we have made it and do not complain of it." - Vronksy {Anna Karenina}
I think some of my favorite Australian films were shot by people that are not Australian. And I think when Dean Semler did 'Dances with Wolves,' for instance, that's a very different-looking Western than what you've seen much of before. It's very rich, color-wise. But we've got our own very proud thing going on.
An author entices the readers with their words, and it is painful for them to even lose a sentence. But films and books are two different mediums and should be dealt differently. What works in a book might not work for a film. When I saw 'Anna Karenina' on screen, I didn't like it at all, whereas 'The Godfather' was legendary.
When I was growing up, 'Anna Karenina' was one of my favourite books.
'The Hunger Games' isn't for everybody. But neither is 'Anna Karenina.'
The Hunger Games' isn't for everybody. But neither is 'Anna Karenina.
There aren't very many good models of feminine rage - and the ones that we remember are ones where women take that anger internally and implode themselves in a real way, like Anna Karenina or Emma Bovary.
There were many films made for both cinema and television, and in general I don't connect them very much with our books. I have one favorite: 'The Man on the Roof' by director Bo Widerberg, which was based on 'The Abominable Man.
There were many films made for both cinema and television, and in general I don't connect them very much with our books. I have one favorite: 'The Man on the Roof' by director Bo Widerberg, which was based on 'The Abominable Man.'
I think predictability is built into any good novel in some way - you begin reading Anna Karenina and you know pretty much what's going to happen at the end. But that doesn't mean you know what's going to happen in the middle. For me, it's that sense of what happens in the middle that's important.
From the very beginning, all of my films have divided the critics. Some have thought them wonderful, and others have found very little good to say. But subsequent critical opinion has always resulted in a very remarkable shift to the favorable. In one instance, the same critic who originally rapped the film has several years later put it on an all-time best list. But of course, the lasting and ultimately most important reputation of a film is not based on reviews, but on what, if anything, people say about it over the years, and on how much affection for it they have.
One of the stories that really impressed me was 'Anna Karenina.' As a novel, that made an impression on me, showing me what the novel can do.
The book that made me decide to go into Russian literature was 'Anna Karenina,' which I first read in high school. The thing that appealed to me and constituted its Russianness for me was that it was simultaneously incredibly funny and sad.
You wouldn't read 'Anna Karenina' and try to work on the computer at the same time, would you?
I endured quite a few injuries when I was younger and had my first surgery on my foot when I was 15. But I love dancing. 'Anna Karenina' was great for me as it meant I could combine the two and I actually went back and did some classes.
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