A Quote by Joel Coen

We don't have any rules about how we depict violence, or how much violence is in a movie. It's a calibration on a case-by-case basis. — © Joel Coen
We don't have any rules about how we depict violence, or how much violence is in a movie. It's a calibration on a case-by-case basis.
My approach to violence is that if it's pertinent, if that's the kind of movie you're making, then it has a purposeI think there's a natural system in your own head about how much violence the scene warrants. It's not an intellectual process, it's an instinctive process. I like to think it's not violence for the sake of violence and in this particular film, it's actually violence for the annihilation of violence.
There is nothing wrong with violence in itself. In any particular case, whether violence is good or bad depends on how it is used and the purpose for which it is used.
I'm really interested in violence. And I think there's an inevitably cinematic property that violence brings to the moviegoing experience. But one still has to be thoughtful and mature about how you depict it and how you think it through. You have to think about the effects that violence has on audiences, and it's deployed so casually that I think it's losing its meaning. And when things like violence and murder and the dehumanization of other people lose their meaning, then we're really kind of in a place where we have to reexamine and take a hard look at ourselves.
Really, I wanted to make a movie [Valley Of Violence] about: How does violence affect people? This is a take from me on how violence affects people.
It is the law of love that rules mankind. Had violence, i.e. hate, rules us we would have become extinct long ago. And yet, the tragedy of it is that the so-called civilised men and nations conduct themselves as if the basis of society was violence.
I think any time you have any kind of social ill, not just domestic violence...as much as it's about the act, the obvious theme of domestic violence, Domestic Violence Awareness Month is also about how men deal with their emotions. It's not just like who gets brutalized; sometimes it's women that are abusing men, too. I think it's just an opportunity for us to look at ourselves. How do we treat each other? Why do we treat each other that way?
My resonance to Magneto and Xavier was borne more out of the Holocaust. It was coming face to face with evil, and how do you respond to it? In Magneto's case it was violence begets violence. In Xavier's it was the constant attempt to find a better way.
I must remind you that starving a child is violence. Suppressing a culture is violence. Neglecting school children is violence. Punishing a mother and her family is violence. Discrimination against a working man is violence. Ghetto housing is violence. Ignoring medical need is violence. Contempt for poverty is violence.
I'm so sick of seeing guns in movies, and all this violence; and if there was going to be violence in Pines, I wanted it to actually be narrative violence. I wasn't interested in fetishizing violence in any way of making it feel cool or slow-motion violence. I wanted it to be just violence that affected the story.
If the tradition which claims that war may be justified does not also admit that it could be unjustified, the affirmation is not morally serious. A Christian who prepares the case for a justified war without being equally prepared for hte negative case has not soberly weighted the prima facie presumption that any violence is wrong until the case for an exception has been made.
To end the crisis [of gun violence], we have to regulate -or, in the case of handguns and assault weapons, completely ban -the product. We are far past the [point] where registration, licensing, safety training, background checks, or waiting periods will have much effect on firearms violence.
Personally, I can't stand violence. In any standard American mainstream movie, there's 20 times more violence than in any one of my films, so I don't know why those directors aren't asked why they're such specialists for violence.
We must realize that violence is not confined to physical violence. Fear is violence, caste discrimination is violence, exploitation of others, however subtle, is violence, segregation is violence, thinking ill of others and condemning others are violence. In order to reduce individual acts of physical violence, we must work to eliminate violence at all levels, mental, verbal, personal, and social, including violence to animals, plants, and all other forms of life.
I have never intended in any of my films to sell violence or to glorify it. Even in the most intense action sequences in my films, there is a message about how evil violence is.
A theme that has always interested me is how women express anger, how women express violence. That is very much part of who women are, and it's so unaddressed. A vast amount of literature deals with cycles of violence about men, antiheroes. Women lack that vocabulary.
I'm so sick and tired of all this violence, this gun violence. And how could I speak on it - you know - being one who has advocated violence and gun violence? The only way I could do it was through a song that spoke from the heart.
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