A Quote by Joel Schumacher
You have to fire yourself as the writer when you direct something you've written. You have to fire yourself, or else you get precious about what you've written. You've got to open up and let the actors in, and re-conceive a lot of things.
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I think I connect to people who could be written off as wild or dark, or who are just full of fire and looking for a place to put that fire. It's an important lesson to learn, and it's something I did learn: you live on behalf of others and you're happier and you have purpose. And you have a great excuse to have all that fire.
I like writing for other people. I love it. It's great because you write it and then you hand it off to someone else. But in terms of directing, anything I direct will be something I've written or re-written. I'm in no crazy rush to direct.
If you aren't feeding the fire of anger or the fire of craving by talking to yourself, then the fire doesn't have anything to feed on.
You've got to come out and fire on all cylinders and get yourself up the leaderboard and show people that you're there and you're ready to win.
I definitely want to produce more because I have a bunch of projects that I've either written or half written and I want to continue developing them and if cant direct one right away cause I'm doing something else I will love to still see it get made.
I've written a lot of scripts that someone else directed, and it's absolutely vital that, if I'm gonna act in it, then I have to take off the writer hat and let the director direct.
Books written out of fire give me a great deal of pleasure. You get the sense that the world for these writers could not have continued if the book hadn't been written. When you come across a book like that it is a privilege.
You have only 30 seconds in a TV commercial. If you grab attention in the first frame with a visual surprise, you stand a better chance of holding the viewer. People screen out a lot of commercials because they open with something dull. When you advertise fire-extinguishers, open with the fire.
If you don't get a laugh I immediately think it's somebody else's fault. You can always blame the material. But when it's just yourself and songs that you've picked up because you love them and stories that you've written yourself and patter you think is really funny if that tanks, there's no one to blame it on. God knows, I try!
You've got to believe in yourself, you've got to have a very clear vision, and you've got have the fire in the belly and go out and not be shy with working because it takes a lot of work.
Every song I've written, it's about what I've gone through, good or bad. It kind of comes out of me, and I'm grateful for that. I've got friends who are back home who've got no way to express that, and they're kind of in a different position in life. It's alarming to me that I've written something on my bedroom floor when I was 19 or something, and then there's 50,000 people that know the words, and they've got a similar feeling. If you thought about it too much, your head would blow up.
A lot of critics sometimes get into analyzing the way actors direct versus non-actors directing. And they really always miss it. It's one of those things where, by not being practitioners, they just came up with something that made sense to them.
I think in some ways, you end up with more interesting storytelling with series, because if you've written yourself into a corner with something in book 1, you have to be cleverer to get out of it.
Most scripts are written to be green lit. They're not written to be acted. And a lot of writers with the greatest intention in the world don't write for actors. They don't understand the architecture of what an actor needs to get from point A to point B.
I never felt like a happy-go-lucky ingenue to begin with. And parts are written better when you're older. When you're young, you're written to be an ingenue, and you're written to be a quality. You're actually not written to be a person, you're written for your youth to inspire someone else, usually a man. So I find it just much more liberating.
I've never been a puppeteer, I conceive and I write and I design and I direct. And not just puppets. I direct actors, I direct dancers, I direct singers, I direct films. I also direct puppeteers. I'm really a theatre maker, but there's not a word for that.
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