A Quote by Johan Renck

I was a huge fan of this band called Sparks. It was a pretty good inauguration to music since their music is quite complex. They were a little glammy, and me - being a kid and not really understanding the complexity of grown-up lyrics - I took the best out of it. But at the same time, it was mysterious enough and too far away from me for me to really be able to reach it. But they were my first love affair in the world of music. I loved that band.
I was a huge fan of this band called Sparks. It was a pretty good inauguration to music, since their music is quite complex.
When I was a very young kid, the first music that really turned me on was a new wave of British heavy metal - big, dumb rock music. There was a band called Diamond Head - they were basically the band that inspired Metallica. But I also liked bands like Saxon and Iron Maiden.
Big band music, to me, it really has three key elements. First is the lyrics are really sweet, and they're just really family-friendly. The second thing is the music is jazz music, so the music is complicated enough to hold your attention for 5 or 6 million plays. That makes the songs interesting. The last part is the fact that it's danceable.
My dad was all about music. He was a musician, leading a band when I was born. His band was active all through the 40s. He'd started it in the late 20s and 30s. According to the scrapbook, his band was doing quite well around the Boston area. During the Depression they were on radio. It was a jazz-oriented band. He was a trumpet player, and he wrote and arranged for the band. He taught me how to play the piano and read music, and taught me what he knew of standard tunes and so forth. It was a fantastic way to come up in music.
I used to download a lot of music, and I understand it in this economy, but personally I buy my music. It feels good to be able to support a band you like. Plus, it'd be really hypocritical if I were still doing that, since I really hope people are buying and experiencing my music.
I always wrote the music first, and the music gave me the mood and the lyrics were pretty much put in to give you a map, where that mood came from and where it's going. But my first love was really the music itself, and I guess I've gone back to that.
When I'm representing my music live I think of it very much in a rock band sense. When I first started doing festivals in the 90s there really weren't other DJs playing the stages I was playing. So I felt I was being afforded an opportunity to kind of make a statement about what DJ music can be live. In the 90s, if you were a DJ you were in the dance tent, and you were playing house music and techno music. There was no such thing as a DJ - a solo DJ - on a stage, after a rock band and before another rock band: that just didn't happen.
The nature of music fandom and music fans is that, very often, they fall in love with a band or a particular artist, and they really would like... I'm talking generally; that's not everyone. But a vast majority of the fan base would prefer the band to keep making the same record and the same style of music over and over again.
I like dark music and I want to wear those goth clothes in school. And I suddenly discovered this whole world of music that I totally loved. The Cure was my favorite band, even though they're not specifically a goth band. I was listening to everything from The Cure to Depeche Mode to Siouxsie and the Banshees and Bauhaus and all of that stuff. It was just this release for me. I was able to channel a lot of my loneliness and my feelings of being misunderstood, and I could go into this world where it was okay to be really eccentric.
My dad was a huge country music fan, but he also had a band and he sang. So he'd listen to a lot of music and the songs that he'd learn for the band were more from the male artists. So my earliest country memories were Waylon Jennings, Conway Twitty, George Jones, Johnny Paycheck even.
I was really a big fan of Loveless. At [the time it came out], I made music that was not too far away from [what they were doing], but we were stuck in Austria. There was no way to get attention from the outside world. Maybe it's a generational thing.
People around me are always an inspiration due to their love of the music and they help me to generate ideas for music. But it's really the passion and drive I have for my music that keeps me connected. I recorded my first song in the studio at 8 years old and I've taken it seriously since then. Making music is fun to me so I aim to translate those feelings into the music.
I've liked music since I can remember and the guitar was always the most attractive thing about music to me at that time. I played guitar in a high school band. I played guitar in various other bands up until I was 20, but nothing too serious. From time to time someone would ask me to play with a group, but I stopped playing with band-oriented projects as a whole soon after.
We went from being thought of and talked about as "a band that plays a so-and-so style of music" (a grunge band, a stoner band, etc) to "a band that plays music with a certain sensibility or style to it". I'm not able to see quite what that is, but it's there and some people like it a lot.
Trying to be really dark and alienating just felt exhausting to me, so I started going back to the music that I grew up with, whether it was African music or pop music. It took me away from being overly self-conscious about what I was doing.
In the early eighties, there were a lot of artists involved with the music scene. All those young artists, before their careers took off, were into music. Robert Longo used to play some guitar. He had a band for a while. Basquiat had a band. I mean, people were always trying to mix music and art - in fact, I'm guilty of it myself.
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