A Quote by Johan Renck

The first time I went behind the camera was in 1993. I felt, 'This is my thing,' and I knew that someday I'd make a feature. — © Johan Renck
The first time I went behind the camera was in 1993. I felt, 'This is my thing,' and I knew that someday I'd make a feature.
I felt about life and the way I felt about my children was so deep and profound. It was the first time I'd felt anything like that. I knew as an artist that it was going to make a huge difference in everything that I did.
The first time I was onstage, I felt like the audience was breathing with me. I don't know if I was good or not; I just knew I was having a ball, and for the first time, I felt I belonged somewhere.
Like, I always knew I wanted a Kanye West feature and a Jay-Z feature. I knew that starting in the game when it wasn't even realistic to happen. I already knew who I wanted to do records with.
You think the only thing looking at you is this steel thing, but behind the camera is this living, breathing person operating the camera whose job it is to watch you.
We easily become trapped in the 'someday' mentality. Someday I'll have all the money I need to enjoy life. Someday I'll be able to spent more time with my family. Someday I'll have time to relax and do what i love doing.
After I made my first short film that wasn't terrible, people were interested in potentially developing a feature with me. Every time I read a script, it was a bizarre, too-dark, genre-less thing that no one wanted to make.
I want to be the person who eventually doesn't have to be in front of the camera. I can be behind the camera and really change things cinematically, and this is giving me an opportunity to do something behind the camera, which I really want to maximize.
My McQueen particularly was hard to make, because my father was dying. I see it, and I see my confusion, my pain, my everything. I thought that it was really interesting to be able to put the people from behind the camera in front of the camera as they make it.
I've discovered that being behind the camera is more fascinating. If I had to choose a profession today, it would have been something behind the camera.
I would have done anything for him. Maybe that was my sickness. We made love in nothing places and turned the lights off. It felt like crying. We could not look at each other. It always had to be from behind. Like that first time. And I knew he wasn't thinking of me. He squeezed my sides so hard, and pushed so hard. Like he was trying to push me through to somewhere else. Why does anyone ever make love?
Before my cancer was diagnosed, I knew that someday I would die, but I didn't know when. After the diagnosis, I knew that someday I would die, but I didn't know when. But now I knew it acutely.
I knew what I wanted to do when I set out. I knew that I wanted to write a book that told the story, obviously. I wanted it be comedy first, because I felt like there already had been childhood druggy stories that were very serious, and I felt that the unique thing here was that I was a comic and I could tell the story with some levity, and I have been laughing at these stories my whole life.
I got my big movie break thanks to an emergency in a five star hotel bathroom. I was attending a film party, wearing a kurta pajama. At the washroom, I could not open the pajama knot and was screaming for help. Pahlaj Nihalani was there and he helped me out. And before I knew it, I was in front of the camera for my first feature film, 'Aag Hi Aag!'
At the time I discovered that I had prostate cancer, it was not long after my first wife had died, so my children had lost their mum. I felt that to tell them that I had prostate cancer, while I knew that I had it and there was a threat of some sort, I felt that it would be wise not to make things worse for them.
I almost felt like I knew London before the first time I went there.
I knew from early on I would go to film school and try to work behind the camera.
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