A Quote by Johan Renck

In this artistic world, you might as well find a way to work with somebody that you have admiration for. — © Johan Renck
In this artistic world, you might as well find a way to work with somebody that you have admiration for.
If you work diligently... without saying to yourself beforehand, 'I want to make this or that,' if you work as though you were making a pair of shoes, without artistic preoccupation, you will not always find you do well. But the days you least expect it, you will find a subject which holds its own with the work of those who have gone before.
The world is the same you never change it, as sure as the stars shine above. Well, you're nobody til somebody loves you, so find yourself somebody to love.
I think that every artistic venture is a risk, and it has to be that way, so you do as much preparation as you can and make that as thorough as you can possibly make it, until you turn up on set. It's about taking risks, and some might work and some might not, but that's what makes it interesting.
"What is my job on the planet?" is one question we might do well to ask ourselves over and over again. Otherwise, we may wind up doing somebody else's job and not even know it. And what's more, that somebody else might be a figment of our own imagination, and maybe a prisoner of it as well.
I have all the admiration in the world for somebody like Bono, who really puts himself on the line and tries actively to do something about our world situation.
I do think it's true that anytime somebody comes to you and says, "I'd like to be in your film," it's never good to dismiss them or make fun of them, because if they're passionate and driven enough, they very well might find a way to be in your film.
We might as well give in to the tug of our spirits to explore this confounding and wondrous world. We might as well greet each other as endless pilgrims and bid each other well on our way. Because we're already on the road.
My point is, there are a lot of people in the world. No one ever sees everything the same way you do; it just doesn't happen. So when you find one person who gets a couple of things, especially if they're important ones... you might as well hold on to them. You know?
Today with technological advancement, with the Internet, with planes, with the rate at which we travel - even if you wanted, you cannot hide from the rest of the world. And whether you like it or not, you are part of this global marketplace, and so you might as well understand it, you might as well embrace it, because even if you hide, it will find you.
To me, when you're at a hotel, and your home environment is ultimately dictated by somebody else, I always find that a little bit oppressive and scary in a way. Especially if it's not done well or not run well.
The essential in artistic creativity is victory over the burden of necessity. In art, man lives outside himself, outside his burdens, the burdens of life. Every creative artistic act is a partial transfiguration of life. In the artistic concept man breaks out through the heaviness of the world. In the creative-artistic attitude towards this world we catch a glimpse of another world.
They told me I would find it difficult to find work because of the way that I look and they weren't wrong. [laughs] I thought, "Well, I'll prove you wrong" because I genuinely believed that the world was a more diverse place than they perhaps viewed it to be.
The book it reminded me of most is Henry Miller’s The Books in My Life. Like Miller, Shields manages to convey his affection for and admiration of literature, and that, the enthusiasm and admiration, can revitalize the reader’s love for the art form. I’m grateful for How Literature Saved My Life because the book has made me think again – and for the first time in a while – 'Well, what is it we do when we read?' It’s a damned annoying question, but it needs to be asked now and then, and Shields has asked it in a way I find resonant and moving.
My parents are artists; in their world, in the world of modern artists, you are supposed to just go into your studio and tune everything out, and your entire relationship with your work is supposed to be a super private one. That was the way to do it and you weren't deeply truly artistic if that wasn't the way you were engaging the press.
You marry your friends when you stay with your friends. It's hard enough to find a good roommate, let alone a good person you can live with and fall in love with at the same time. You might as well just take your roommate, if you can find one, and marry them. I mean, if you can find somebody that doesn't drive you crazy, I would say marry that.
Despite whoever created it, it's my world, & the only one I've got. Might as well make the best of it, right? Might as well have a little fun while I'm here. Or a lot of fun. Might be dead tomorrow.
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