A Quote by John Badham
I would do it today because the thing that appealed to me was not necessarily the mechanics of the robot, but it was his personality and how funny and charming he was.
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Some people think that, inevitably, every robot that does any task is a bad thing for the human race, because it could be taking a job away. But that isn't necessarily true. You can also think of the robot as making a person more productive and enabling people to do things that are currently economically infeasible. But a person plus a robot or a fleet of robots could do things that would be really useful.
I think one thing that always attracted me to movies was the personalities. I went to movies not because the stories necessarily appealed to me, but because of the people in them.
I would have liked it to have stayed serious and have the adventures of a family lost in space. This isn't to take anything away from Jonathan and the Robot. I watch his performance today and he still makes me laugh.
What appealed to me about the whole production is how big it is. I don't do musicals because I don't sing very well. But this is the biggest stage thing I'll do that's not a musical.
The book that made me decide to go into Russian literature was 'Anna Karenina,' which I first read in high school. The thing that appealed to me and constituted its Russianness for me was that it was simultaneously incredibly funny and sad.
Quantum mechanics broke the mold of the previous framework, classical mechanics, by establishing that the predictions of science are necessarily probabilistic.
Personality is a real aphrodisiac, when somebody is charming or funny. I think certain jobs attract certain types of people.
My favorite Wes Anderson movie is 'The Darjeeling Limited,' because I have two other brothers, and I just feel that connection so well. All of his films have something so great and unique about them, that I don't know how I would be if I don't like them. I wouldn't be me. My personality is his sensibility.
Well, I was thinking this very thing. I was thinking: I am going to die today, but Jesu also died, so he knows how it is with me. And I was thinking, would he know me when I came to him? Yes! Sitting in his hall, he will see me sail into the bay, and he will run down to meet me on the shore; he will wade into the sea and pull my boat onto the sand and welcome me as his wayfaring brother. Why will he do this? Because he too has suffered, and he knows...HE KNOWS...Is that not good news?
One of my best friends growing up was Vietnamese, and he and his mom would teach me how to say certain things so I could impress my nail girls. Then the nail girls would teach me how to count to 100 and basic things like 'Thank you' and 'You're welcome.' It's funny, because any accent that I do now always turns into Vietnamese.
When you step out and do a song in a musical, the easier thing to do is make it funny. But when those transitions become necessary, when they aren't camp, that, to me, is magic. I've done musical comedies and enjoyed them, but subject matter that's deeper and more realistic is always what's appealed to me most.
For me, Shah Rukh Khan will always be the most charming co-star I have ever worked with. He makes sure you are comfortable and happy on the set. I think 'Charming' is just his second name. His generosity and chivalry are amazing.
When I was growing up, I idolised my father. I thought his ghost followed me around the house. I had been told how he adored me, how I was funny, just like him. Because of our lovely Catholic upbringing, I secretly assumed that he would eventually come back, like our good friend Jesus.
One of the things that is always difficult about a collaboration is that you don't necessarily find the same thing funny. And so the challenge becomes, how do you tell the other person that you don't think something's funny? The best collaborations tend to be when you are willing to be told that. But there's also ego involved, and so there's a lot of frustration in knowing that you're writing something, and the other person, on some level, needs to think that it's funny.
Being a humorist is not a voluntary thing. You can tell this because in a situation where saying a funny thing will cause a lot of trouble, a humorist will still say the funny thing. No matter how inappropriate.
If a director says he doesn't care how many people see his films at all, I simply don't believe him. Otherwise why would he bother to make the film? The only explanation would be that it would be an act of masturbation. I think that every creator is looking for a receptor. He's looking for an audience. There are two parts of the equation: a creator and, necessarily, the receiver of the work. It's the same thing for a painter who wants his paintings to be seen.
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