A Quote by John Boorman

I think most films are too predictable. They follow familiar patterns. I suppose audiences like to know where they stand but I like films that take me by surprise, take unexpected turns and twists.
We know of instances of stage plays being made into films. But I really think that all Tamil films can be staged; I'd like to take up K. Balachander's films and do that.
The vampire or the bad guy, that's what people do remember. Lars von Trier, like Guy Maddin, their films are made for a group of exclusive people who like special films. And they are special films, they are art films. And I started with commercial films at the beginning, and later on, because you know, when you are an actor, you have the same cliché like everybody else, you want to be in big films, you want to be known and all that.
There's always been this feedback between comics and films. But I think that if you take that analogy too far, if you only see comic books in terms of films, then eventually the best we can end up with is films that don't move. It would make us a poor relation to the movie industry.
Watching familiar characters take unexpected turns is very appealing.
Since most of our films cater to crossover audiences, I think it's time we make films for multilingual viewers.
Growing up the son of a director has made me very aware of the various turns that a directing career can take. Sometimes your films turn out exactly as you want. Sometimes they don't. I spent a lot of my childhood on sets. I think as a joke, my father gave me a line of dialogue in each of his films during the worst moments of my puberty.
Wiseman's films are some of the most pure cinema, and to take a journey in a Wiseman film is like no other. He's been doing it so long, with a body of over 40 films!
I usually take up short films when I am not tied up with feature films. Short films are easier to work on... because it doesn't take much of your time. The number of shoot days are lesser as compared to feature films.
The kinds of films I like are the ones that take their time. If you reach an emotional pinnacle too early on in a film, that's kind of it. I think, as in real life, when you're getting to know someone, it starts off slowly.
I do feel bad when my films don't do well, but I respect audiences' verdict because they know well which films to support. If they don't like a film, we should accept it.
Yeah, people seem to really relate to it and feel moved by it. It's been the most positively received of all my movies so far. I don't know why. I like it just as much as I like my others, but people think this one is the best or the most interesting. I'll take it, though. I wouldn't want them to be saying my films are getting worse.
I'm happy that my films were discovered by chance by foreign film festivals. That makes me realise more that there is a world outside Japan too. For me, it's an occasion to meet many people and to experience directly the response of international audiences to my films. But for me as a director, my attitude towards making films hasn't changed with the fame. I feel it's not good to change as a person anyway
Though not into films, my family was associated with films. My grandparents financed films. They didn't like me getting into films. But, destiny willed it so.
I enjoy making films. I have made all kinds of films, including action films, romantic films, period films like 'Kala Pani.'
There are certain filmmakers I'd like to work with that I don't think would take a risk with me, because I could be distracting in their film. It'll take a couple films to prove to them that it's worth the risk.
To me, the most interesting films are films that take very strong points of view and bang them up against each other and let sparks happen.
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