A Quote by John Britt Daniel
I'm used to coming up with a lot of parts. And I don't have to do that so much [with Divine Fits]. This is the kind of band I've always wanted to be in because we never set up any aesthetic rules when we started it. We just wrote and edited, and it ended up sounding like Divine Fits.
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The reason I started writing movies was because I kept getting parts that I just kind of stepped into. I didn't have to do a lot of work and I ended up getting sort of bored.
The band set up in January and just started rehearsing. If there was a song, we'd just rehearse it as a band, and it would get arranged as a band, and it got changed around a lot.
When you wake up to the Divine Consciousness within you and your divine identity, you wake up simultaneously to the Divine Consciousness appearing as all other beings. And this is not poetry and this is not a feeling, this is a direct experience of the divine light living in and as all other beings. And until this realization is firm in you, you do not know who or where you are.
I've pretty much grown up on set, and my favorite part about it is being able to actually see how movies are made. I knew when I was about 14 that I wanted to be a director and that I wanted to go to NYU for film school. It kind of feels like it's been a long time coming.It's a relief to actually be in, because the college process is so hyped-up.
Trump Tower is a beacon of aesthetic appeal by comparison to what the oligarchs build in their so-called cottages outside of Moscow. So he fits right into their aesthetic, he fits right into the way they think and the way act. Except of course they're more powerful than he is.
Panic! at the Disco, for me, has been an outlet to do whatever. I never felt like there were any rules. It was always carte blanche. I could do whatever I wanted. There were no rules set yet for the band. It just felt right.
If I come up with rules or limitations it focuses me in a direction. And those rules can change if you realize it's a dumb idea. You start to mutate it to see what fits best.
It just seemed that we always ended up at the Rainbow, to the point where they finally just said, why don't you guys go up into this loft where we'll kind of protect people from coming around and, you know, sitting on the tables. And we thought that was a great idea.
In 1974 I was trying to get my first little band together. That year marked kind of a traumatic point in my life, but I had a lot of support from friends and family and a lot of good things ended up coming out of it.
I suppose that one reason I have always detested religion is its sly tendency to insinuate the idea that the universe is designed with 'you' in mind or, even worse, that there is a divine plan into which one fits whether one knows it or not. This kind of modesty is too arrogant for me.
For any actor to have Oliver Stone call him or her up? It?s a compliment. He expects you to be on your toes. If you?re not, he pokes at you until you react. He?s very provocative, creatively. It started like a lot of hard work, but it ended up a lot of fun.
I've always stayed on the periphery of things. When I used to go to the punk clubs and things like that, I was never up front. I always wanted to be in the back, or on the side, because I wanted to get the whole view, rather than be staring up at someone's nostrils.
I think, from a really early age, I just wanted to be an actress. And I ended up doing comedy because it was the thing that kind of, like, came out of my nature the most easily. But, I've always wanted to do as many different kinds of performances - whatever I could.
Think of Divine Abundance as a mighty, refreshing rain. Whatever receptacle you have at hand will receive it. If you hold up a tin cup, you will receive only that quantity. If you hold up a bowl, that will be filled. What kind of receptacle are you holding up to Divine Abundance?
I've learned not to let it be the end of the world if a boy doesn't like you. I used to put so much effort into boys. I started playing guitar because I wanted to impress this boy. Then, I ended up in love with guitar and I didn't care about the boy anymore.
I'd take out a joint and light it. First, just faking it. Then I started lighting live joints, passing them around to the band, you know. I was great, it relieved all my tensions. And I ended up with the greatest supply of grass ever. Other acts up and down the Strip heard about what I was doing - Little Anthony and the Imperials, people like that - and started sending me the best dope in the world. I never ran out.
