A Quote by John Cale
I'm impatient. I get twitchy. When I get that feeling I just go out and make something happen.
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I just try to go out there and have fun and just get to the ball. That's kind of my goal: just get to the ball and make something happen.
Even if I've studied all there is to study, I get a nervous and twitchy feeling before the exam. Till I get the question paper I'm nervous. This somehow gives me a little bit extra when I'm on the field. I'm able to make decisions on the field just a bit quicker.
When I started that's how I wrote because I didn't know any better. I was just like "I want to make music." Then there were all these things that I learned to get myself over certain humps, but I think it just comes down to: do I have something to say or not? If I'm feeling something I should try to get that out, and maybe it's not words, but trying to turn it into something.
I'm actually an impatient person. I'm very suited for television because with the process, it's six weeks from the time you come up with an episode until when it airs. We can't drag it out that long. With film, and this is not a profound observation or an original one; it can go on endlessly unless the movie's like incredibly topical. That's the challenge for me, as an impatient person who wants see things come to life. ... I mean, it's just this feeling I get when I see a movie I love.
The letters I get on the Internet and the responses to my books make it very clear that something is trying to happen. And I'm just one person. There are millions of people really ready to go. We're just not sure where to go yet.
Whenever I go back to London, I have this horrible feeling that something bad will happen, and I won't be able to get back to America. It's a nightmare feeling.
I get this adrenaline rush from just going down the course and feeling like I made a really great turn and I'm going to do it again and again and again. That feeling can't be replaced, and that's the feeling I'm striving to get every time I go out there.
Fear is like a black cavern that is terrifying. Once you enter the cavern and explore it, you realize that you can get out of it, go through it and get out of it. Then there's another cavern that is just as big and terrifying, and you just go in and dwell in it and see what is the worst that can happen.
The men who go out the scientists who go out, they have so much fun on the way that when they get there well it's done. So they're looking for another thing. You see the objective may remain the same - the search - but you must get lost on the way, get stupid to my mind, this is what you do in theatre; a team of people go out to look for something, they find, maybe, something else.
Guys, just remember, if you get lucky, if you make a lot of money, if you get out and buy a lot of stuff--it's gonna break. You got your biggest, fanciest mansion in the world. It has air conditioning. It's got a pool. Just think of all the pumps that are going to go out. Or go to a yacht basin any place in the world. Nobody is smiling, and I'll tell you why. Something broke that morning. The generator's out; the microwave oven doesn't work . . . Things just don't mean happiness.
What justifies a character singing one idea for 3 minutes on the screen? I get impatient and want the story to carry on. I don't get impatient in the theatre.
I think in L.A., in terms of the music scene, it's a really strange place. It's really hard to get the feeling that something's happening, or the feeling that something can make it out of there.
There isn't quite a feeling you get from playing video games that you get when you're playing sports, which is like a sense of euphoria. You just get the satisfaction of doing something active and feeling good after.
When it comes down to it, it’s pretty simple. Adventure is what you make it. And whether it’s the travel, the discovery or just the feeling of letting go, the only way we’ll ever find out is to get out there and do it. Enjoy the ride.
I don't go through a torturous intellectual process to decide what to direct. I know what I want to direct the second I read something or hear a story. I just know when it grabs me in a certain way I want to direct it. And then I spend the next four to six months trying to talk myself out of it, because directing is really hard! But it's true, I know essentially when and what I want to do next... it's an undeniable feeling I get and it's not the same feeling I get when I wind up producing something.
I believe you make your own luck. My motto is ‘It’s always a mistake not to go.’ So I jump on the airplane, try new things—sometimes I get in way over my head, but then I think, I’ll work my way out of this somehow. A big part of making your own luck is just charging out of the gate every morning…The thing I love about living in New York is that I never fail to get up in the morning and think, Something adventurous is going to happen today. The energy is operating at full throttle all the time. And if you want to be lucky you’ve got to go out and take advantage of it.
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