A Quote by John Carpenter

Horror stories have always worked on film. It's where they work. That's where vampires and ghosts and UFOs are real. They're not particularly real in life, but they're real on the screen. It's the communal aspect of movie-watching.
We always have the movies that are more toward real life, but they don't have that much drama or suspense, or we have the full of drama or suspense, but they're far away from real life. Always when I was watching a film, films with good drama, I was thinking, "I wish they were more close to real life." But when I was watching real life films I was thinking, "Well I wish it had more drama." I've tried, in the movies that I worked so far, to get these two things closer and closer to each other.
I have a commitment to real worlds on screen. I like working in real communities. I like telling real stories.
I think safely experiencing fear by watching a horror movie makes real life a little less frightening.
I love when you go to a horror film with real horror fans and everybody's there watching, getting involved and screaming. That's when it's most alive and exciting for me.
The screen is a window through which one sees a virtual world. The challenge is to make that world look real, act real, sound real, feel real.
In my horror movies, I was always trying to deal with real characters and real character drama played by good actors... Laura Linney, Ethan Hawke, Eric Bana, and Tom Wilkinson, people who don't do horror normally.
Play is always a fantasy, but once you get into the frame, it is quite real, and everything you do is real. You put acres and acres of real movement and real action and real belief in it.
I realize I have a lot of amazing opportunities, but I don't know how you can play a human being going through real human experiences without being able to walk down the street. If you can't live a real life, how do you play a real person? It always confuses me when actors work back-to-back-to-back with no break. If you live your life on a film set, how the hell can you relate to real people? You don't know what its like to not have people fussing over you all day, and that's not life - that's silly movies. I will always want to take breaks and I wouldn't be OK with losing that.
Sometimes you have to think about what you're going to say, in real life, so when you see that thought process going on in a movie, it feels real and looks real.
I think that's why I'm an actor: so I can tell those stories without having to really live through those stories with real consequences and real stakes, real responsibility.
My life is good because I am not passive about it. I invest in what is real. Like real people, to do real things, for the real me.
The things that scare me are real life situations. Real life is much more scary than anything you can put on the movie screen. Which is why I get very upset when people try to blame the movies for the violence in this world. I'm like 'Are you kidding me?'. There is more violence in a four hour period on CNN than any movie I have in my massive collection.
My favorite kinds of stories are the ones that have these big crazy genre hijinks and then a real honest, meaty, emotional story where we're watching a character grapple with some real things.
We're gonna try and bring on all the different aspects of horror movie making and bring on guests and show all these old '50's B movies. Not the real corny ones, the real cool ones.
When an acting teacher tells a student 'that wasn't honest work' or 'that didn't seem real,' what does this mean? In life, we are rarely 'truthful' or 'honest' or 'real'. And characters in plays are almost never 'truthful' or 'honest' or 'real'. What exactly do teachers even mean by these words? A more useful question is: What is the story the actor was telling in their work? An actor is always telling a story. We all are telling stories, all the time. Story: that is what it is all about.
I'm uninterested in superheroes. I am only interested in real stories, real people, real connection.
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