A Quote by John Carpenter
I stopped directing in 2001 for - oh, damn - four or five years, until I did the TV series 'Masters Of Horror.' I had been working steadily as a director since 1970. That's a long time. I was burned out.
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I stopped directing in 2001 for four or five years, until I did the TV series 'Masters Of Horror.' I had been working steadily as a director since 1970. That's a long time. I was burned out.
For 10 or 11 years, I had my kids, I wrote four or five books, and I was working all the damn time.
At that time in my career, everything ended up moving so fast, honestly. Within the first five years of my career, I think I did two TV series and four big movies, and I've never been that hot again in my career.
Ideally I'd like to be working steadily as an actor: movies, a TV series, that sort of thing. I've been through a few different TV development cycles, and they didn't work out. When the time and project are right, it'll come together. Like I tell a lot of guys, it's not a race; there's no finish line.
My education as a filmmaker has been entirely practical. I started working professionally in the film business in 1970, and I've been at it steadily since, and I pay a lot of attention.
My time on TV has been awesome; between 'Party Of Five' and 'Ghost Whisperer,' I've been severely lucky in great long runs on TV series that were attached to the heart and got into the audiences' hearts.
I've never been healthier. I haven't had a cigarette in two years. I run four or five miles, four or five times a week. I've been healthy and having a really good time.
I've wanted to be an actor since I was eight years old and I did TV commercials when I was a kid. When I was eleven Saturday Night Live came on and I thought, "Oh God, I'd love to do that." I saw the Pink Panther movies and thought, "God, I'd love to have a comedy series; I'd love to have a character I'd created that becomes a series." I've now pretty-much done everything I've wanted to do since I was eight years old and it's a wonderful feeling, I've got to say.
I've been writing so much. And what happens with TV is that they split [Taboo] into two blocks, so you get a director that does four and another director that does another four. You commit yourself to seven days a week, for 12 or 13 hour days for a long time. I couldn't really do that.
I was thrilled, because I like the big screen and I could then move on to the next thing. It was the biggest break for me. In a way, though, I wish it had been a TV series because then you are working for five years.
Most people, you do a TV series, it ends three, four, five years later; it's a relic.
I stopped working a few years ago because I just lost a spark that I'd had before. I thought I'd just try writing, and maybe start directing, but I did it very quietly.
'Friday Night Lights' was kind of like my college years because I did four seasons of that. It was my first series. It was the most time I had with one character, and kind of growing and evolving with the character over that long of a span of time, it just allows you to sort of learn in a completely different way that I had never experienced.
If, after five years, I hadn't had anything published, I was just going to forget it and go back to TV full-time until I retired or they put me out to pasture.
I've been trying to sing for a long time. I didn't realize that's what I wanted to do until I was about seven or eight. I tap danced since I was three years old, and that's all I did.
I've been watching more American TV because of all the great TV series that have come out in the last five to 10 years. I'm a 'Sopranos' fan, I'm a 'Wire' fan, I'm a 'Mad Men' fan. I'm a 'Deadwood' fan. It makes me optimistic for the future of storytelling on TV that producers are willing to take that kind of jump.
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