A Quote by John Carpenter

I think there are certain subjects I don't want to tackle, that I don't think I could do a good job with. I don't think I'd be good with... broad comedy? I don't know. Maybe I would.
I really hope that I can be as good as some people think I can be. But I may never work again... and that's the reality of the film industry. So, it's nice but I wouldn't want to go into something feeing like I needed to prove that I was good enough to be there. Maybe in some ways, it makes me think: "Do you know what? Some people think I'm alright, so maybe I should go into a job thinking I'm not rubbish." But I don't really think about it.
I can't actually think of a job where I was relaxed the whole time. I don't think I would want to do that job. When I break into a cold sweat when I'm reading, I think, 'Oh good. That's what's supposed to be happening.
I can't actually think of a job where I was relaxed the whole time. I don't think I would want to do that job. When I break into a cold sweat when I'm reading, I think, 'Oh good. That's what's supposed to be happening.'
I don't think you could have a banker serving in a major role in Washington in the next 10 years. I just don't think it's going to happen - it's just not politically feasible - so I don't spend much time thinking about it. Do I think I could do a good job? Maybe. It's possible.
I'm no good at anything but comedy, which I think I'm good at. I'm absolutely no good at networking; I'm terrible at acting; I'm terrible at dealing with executives; I'm terrible at collaborating. And I say whatever I want to say. But I think I'm good enough at comedy that I can survive. And I don't really have an ambition for money.
In ten minutes, I'm thinking, 'OK, you know what? I love these guys. They're really smart, they're really good, they've got a good sense of comedy, under their guidance, I think maybe this could come out OK.' But I didn't like the part.
Maybe being good isn't about getting rid of anything. Maybe being good has to do with living in the mess in the frailty in the failures in the flaws. Maybe what I tried to get rid of is the goodest part of me. Think Passion. Think Age. Think Round. Maybe good is about developing the capacity to live fully inside everything. Our body is our country, the only city, the only village, the only every we will ever know.
I don't think I would have been a good architect. Really, I have thought about this from time to time, and I might have wound up like my father, who never did find that which he could devote his life to. He sort of drifted from job to job. He was a traveling salesman, he was a bookkeeper, he was an office manager, he was here, there, there. And however enthusiastic he was at the beginning, his job would bore him. If I hadn't had the writing, I think I might have replicated what he was doing, which would not have been good.
I don't know if I'm embarrassed because I think it's a funny show, but I could imagine there being a snootiness about it, but I do find 'The Big Bang Theory' very funny. I think that's a good show. I think it's fun, I like the actors; I think they're all doing a great job.
I would love to appear in 'The Defenders.' I don't know - because hopefully she'll maybe be on the bad side. I don't know - I don't know what they'd do with Elektra in 'The Defenders,' but that would be a good dynamic, I think - to be confronted by these four superheroes, and I think it would be interesting - I'd be curious to see what they do.
I don't think so much about verbal comedy. I always think about visual comedy. I was raised watching silents, and I'm always thinking about how to make cinema, not good talking - although I want good talking. I'm much more interested in framing, composition, and orchestration of bodies in space, and so forth. My goal is always what Chuck Jones wanted his Warner Brothers cartoons to be, which was if you turn down the sound, you could still tell what's going on. I think if you watch most of my films with the sound off, you could still tell what's going on.
I don't have an agenda. I don't have things I want to get to or something. I have like a broad, slim grasp of certain periods and certain shows within that period, an awareness of them, but they demand re-listening. I have a flimsy grasp of all the eras and ideas within each period of what would be a good show to think of.
There's a real connection between the history of print in Europe and nationalism, and how those two things could be formed. I think they may both now be ending, for good and bad, but I think mainly for good. Either globalism was supposed to make people all realize this is one big business going on and we should know what's going on everywhere, or it makes people say, "I don't want to become part of this thing. I want to be incredibly different from you and I want to uphold my local behavior." Dress a certain way.
I'm a good cook, and I look at something like 'Iron Chef' and think, 'It's a good thing I already know how to cook' - because I would never think I could do it if I watched these shows.
The way I've approached my career, I've always tried to be pretty good at everything. I think if you ask players about my game, they would say I'm pretty good at everything, but I don't think they'd say I'm the best at certain things. Maybe that's my strength, not having a serious weakness or many weaknesses. I just try and be solid.
I think on balance, Don King has been bad for boxing. I think he's done some very good things and I think he did a heck of a job of promoting Ali but I think I could have promoted Ali.
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