A Quote by John Carpenter

I don't watch my films. I've seen 'em enough after cutting them and putting the music on. I don't ever want to see them again. — © John Carpenter
I don't watch my films. I've seen 'em enough after cutting them and putting the music on. I don't ever want to see them again.
When you make the film, it's like a chef who works on the meal. After you're working all day in the kitchen and dicing and cutting and putting the sauces on, you don't want to eat it. That's how I always feel about the films. I work on it for a year. I've written it, I've worked with the actors, I've edited, put the music in. I just never want to see it again.
I've seen my own films close to a thousand times in one form or another. When you edit them. When you shoot them. Then you run them over and over again for sound and music. Then you'd go to premiere screenings, and have to do promotional screenings in other cities. I can't watch any of my old films.
Once I finish a film, I don't ever see it again. Never ever. I have never seen any of my films since I finished them.
I only watch my movies that I make once, so I can just see how it hangs together, but after that, I don't watch them again. A lot of people have disappeared from Earth that you've worked with, and they make me sort of sad once in a while, and there's really no necessity for me to watch them. I've made them, and it's on film and that's that.
I think one of the reasons younger people don't like older films, films made say before the '60s, is that they've never seen them on a big screen, ever. If you don't see a film on a big screen, you haven't really seen it. You've seen a version of it, but you haven't seen it. That's my feeling, but I'm old-fashioned.
Better far off to leave half the ruins and nine-tenths of the churches unseen and to see well the rest; to see them not once, but again and often again; to watch them, to learn them, to live with them, to love them, till they have become a part of life and life's recollections.
My favorite dark comedy, which is also one of my favorite films of all time, is 'After Hours.' I've seen 'After Hours' as much as almost any film I've ever seen in my life; I've watched it dozens of times, and I still watch it once a year. I still get a thrill out of it every time I see it.
I watch many, many, many independent films every year that you see once in a film festival and they're never heard of ever again. Many of them are very, very good.
I'm a big fan of films that I grew up on and would watch obsessively, over and over again. If I didn't feel like I got everything on the first watch good, I want to see it again immediately.
I don't think people really do listen. We plug into music, and we have short attention spans. We tend to download individual tracks from iTunes rather than a whole album. We buy music DVDs and watch them once, and then they disappear into a drawer, or we loan them to a friend, and we never watch it again.
In my films, I like to use the same actors again and again, so I know them really well and can bring their unique personalities into the process. However, as a director, I have strict control over the way they express their personalities. I don't want them to go beyond what I need from them, but I also don't want them to underplay. So I modulate their performances very closely, within a certain range of expression.
And if I may, call your mom, everybody. I've told this [to], like, a billion people, or so. Call your mom, call your dad. If you're lucky enough to have a parent or two alive on this planet, call 'em. Don't text. Don't email. Call them on the phone. Tell 'em you love 'em, and thank them, and listen to them for as long as they want to talk to you. Thank you. Thank you, Mom and Dad.
I don't care to analyze acting. On the other hand there is a fascination because distributors are putting out British films. You get films here with great performances you'll never see again. Why compare. We should go after the businessmen.
The problem is I don't have respect for the films I make after I've made them. I detach myself and get embarrassed when I watch them later.
I don't ever like to see paparazzi much, but I have seen them, and I guess anyone who's seen them knows how scary they are.
In this life, y'ever notice that you face the same challenges again and again? We all do. They're challenges to your soul. We repeat them until we face them and master them. Yes we all have free will, but there're divine patterns out there, and the battle is to see them.
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