A Quote by John Dieterich
That's just the way people's brains work. If you want to talk about something, you have to reduce it to a form that can be understood. That's one of the reasons I'm not good about boiling down music.
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I think any information about any type of art form, it's always the right time. But since the last one, I could see there were many things about the culture of DJing that we don't really talk about. We don't really look at how the music is made, how it's conceptualized, how it's put together. We talk about the equipment and the software, but we don't talk about the reasons why we put the music together in the first place.
On the contrary, it's because somebody knows something about it that we can't talk about physics . It's the things that nobody knows anything about that we can discuss. We can talk about the weather; we can talk about social problems; we can talk about psychology; we can talk about international finance gold transfers we can't talk about, because those are understood so it's the subject that nobody knows anything about that we can all talk about!
I think there's just been this "thing" that's developed, this way that we have of talking about our music that alienates people. And I fall into that too! I learned that in graduate school. You just talk about your music in a specific way, and that separates people from you. But some composers like that. Schoenberg liked that. He wanted to feel that he was making music for an elite few. That's fine for him, but I want to set myself free from that sort of attitude.
Mental health is an area where people are embarrassed. They don't want to talk about it because somehow they feel they're a failure as a parent or, you know, they're embarrassed for their child or they want to protect their child, lots of very good reasons, but mental health, I feel, is something that you have to talk about.
One the reasons I talk about my story is I want other people who are in the circumstances I was in to understand they are just as good and as valuable as everyone else.
Naturally, no one knows more about music than musicians. They talk about their own work all the time, but they rarely get to talk about other people's music.
I hired a publicist once I got cast in 'Passing Strange,' and one of the first conversations we had was about how I wanted to handle talking about my sexuality. I said, 'It's never been an issue for me. I want to talk about my work, but if something about myself relates to my work, of course I'll talk about it.'
I always wanted to have a young female artist that would tell me the truth about life and not only talk about the good things or the things that were exciting or interesting but also talk about the things that people in general are skeptical to talk about- the bad things that do happen. A good 50% of our lives is things that are happening that we're not necessarily super thrilled about and I feel like that's missing from pop music a lot of the time so my main goal is to be truthful about everything and not just specific things.
It's hard to pin down what the politics would be, in a way. For me the politics are very visual and felt, thought, seen, but not necessarily put into words. The confusions and conditions within the work are the politics. The fact that a lot of the time the first thing people want to talk to me about is the racial angle, which is a part of the work and I am happy to talk about it, but it's not necessarily the first thing on my mind when I am making something.
Well, I don't want to talk too much about my children, but a friend of one of my children, something really terrible happened to her. I just felt like I had to speak about growing up again, because I felt that there's no way I can talk about difficulties of life. I had to talk about possibilities.
A good horror film is something that taps into something absolutely truthful about us - about what we want, about what we're terrified of - and brings that to life on screen in such a way that we can get close enough to that character to let our defenses down and want them to be safe.
I'm boiling about the rainforests being chopped down to make disposable chopsticks. I'm boiling about the fact that we have palm oil put into every single one of our substances.
It's hard to get people at a record company to talk about music. They don't seem to want to talk about music, it's all marketing, and that's part of a record, you gotta get it out there, people have gotta hear it, but you could do it in a way that's not repulsive.
For whatever reason, the success still blows my mind - that I'm able to talk to people about the music I've written. I always felt like there was something there because you don't put out music unless you have a sense that people will maybe like what you're doing or you're standing for something artistically. I don't mess with that. It's more about just music and trying to keep the integrity, I guess.
I don't like to talk about my work. People should see my work and form their opinion based on that, not because of something I said.
People think it's not necessary to talk to another human being, and that's the part of it that I don't like. Some people will go up and want to talk to you about the music, which is cool; they're enthusiastic about the songs and know stuff about it, or, 'I really like your music. Nice to meet you.'
