A Quote by John Fowles
I don't think the English like me. I sold a colossal best seller in America, and they never really forgave me.
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Heinlein never had a best-seller. Even, I think, with Stranger in a Strange Land, I don't think it was actually on the New York Times best seller list.
I lived in England for a long time, and even the English didn't think me as one of theirs. In America I'm not really accepted. In New Zealand now, I don't think they even think of me as a New Zealander.
In the twentieth century our highest praise is to call the Bible 'The World's Best Seller.' And it has come to be more and more difficult to say whether we think it is a best seller because it is great, or vice versa.
It seems to me the American people never really forgave the Democrats for being right about Vietnam.
The silly antics that would get me in trouble at school have put me on the best-seller list. So I guess the moral here is ignore your teach... never mind. That's not the moral. Probably.
My understanding is that a book becomes a best seller only when it is pirated, sold on footpaths and at traffic lights.
In America there's a tendency to write the same book over and over because that's what sells. So in a way, my success in America has come at the expense of what I do. I haven't sold out, and I haven't taken the popular road to writing a best-selling book. I've really bucked the system. So it was necessary for me not to go and find the easy fans, the ones who want something digestible and fast with a happy ending that they can read over and over again no matter how many different books it is. I had to find fans who really wanted to think. Worldwide they all have that in common.
It is America that gave me so much in my life. It wasn't until I came to America that my life just exploded in so many ways. So for me, I think in a way, though I'm English, I've been living the American Dream and I'm eternally grateful to Americans for allowing me to do what I love doing the most.
I never felt particularly alienated as an English person in America. It doesn't feel culturally like a massive gap to me.
I never expected to write a book about a slum in Ireland that was going to catapult me, as they say, into some kind of - onto the best seller list.
I've sold too many books to get good reviews anymore. There's a lot of jealousy, because [reviewers] think they can write a good novel or a best-seller and get frustrated when they can't. I've learned to despise them.
I always knew I was a writer. And I always thought to myself, 'Well, why not me?' Someone has to be on the best-seller list, 'Why not me?' Someone has to write for the 'New Yorker,' 'Why not me?' And I didn't really get much positive reinforcement as a kid, so I thought, 'Well let me show you what I can do.'
I think the best thing I can say about it - and I think the best thing you can say about anything, really - is that 'The Motorcycle Diaries' made me feel like my home was bigger; it made me feel at home anywhere in Latin America.
A best-seller was a book which somehow sold well because it was selling well.
A lot of things encouraged me to start my label. I think it's very important for an artist to know how many records they've sold and where they've sold. I know that I have never been treated the way I'm supposed to be treated - like an artist. That's why I do things for myself. I feel like I'm a free man.
When people talk about the '60s I never think that was me there. It was me and I was in it, but I was never enamoured with all that. It's supposed to be sex and drugs and rock and roll and I'm not really like that. I've never really seen the Rolling Stones as anything.
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