A Quote by John Frankenheimer

Then I usually leave the choice of the second assistant director and any other assistant directors to the first assistant director, who will choose because he or she is responsible for the conduct and the efficiency of the second assistant directors.
Frank Capra's grandson was a second Assistant Director on 'Christmas Vacation.'
I surrender to my directors. I do that because I respect them immensely. In fact, a director's talent scares me. I admit that they're more intelligent than me, and I submit to that, as an assistant director does. Even when I have suggestions to make, I don't state them strongly.
I was assistant in Edmonton with Wayne as captain, and Kevin Lowe was the other assistant.
I'm a good assistant. That's why I don't have an assistant, because I'm so on it that no one can be as on it as me. I know that.
The first assistant director is just so important that the choice of that person is critical to the movie.
I was a ball boy for the Atlanta Falcons; I was a tax assessor - this was all in high school - I was an account assistant at the courthouse, and then I was a real estate assistant.
I'm avoiding having an assistant because then I would become the horrible boss. I can't justify having an assistant as a 25-year-old; I just can't do it!
I was the assistant to the editor-in-chief of 'Esquire Magazine.' And my experience as an assistant was really best case scenario. My boss was absolutely the greatest boss I could have asked for. But I think there's something universal about being an assistant, regardless of whether or not your boss is the greatest or a complete terror.
The position of an assistant director in Japan is a handyman who does everything if necessary. They must overcome the unreasonable demands of hard-hearted and whimsical directors, and staff with different personalities or habits.
I don't have an assistant. I make a lot of people around me my slaves, but no assistant.
I proceeded to prove everybody right as to how bad an economics student I was by failing as an assistant manager in every theatre I went to that hired me, both as an assistant manager and as an actor. I lost money and tickets, and I couldn't keep track of anything. So eventually they fired me from assistant-manager jobs, but kept me on as an actor.
A great director, first, is highly intelligent. And he is also a dedicated and willing to work hard. Now those are easy things to identify. The third is the creativity, and that is very difficult to identify in advance. This is why so many of the directors who have started with me were my assistant - the first one was Francis Ford Coppola.
When I came to Mumbai, I was working behind the scenes for 10 long years. Back then, music video budgets were insignificant and I had no assistant directors or art directors for most of the songs I directed.
There always comes a moment where all the departments in a film need to work together. And if a director, his first assistant director, and cinematographer have a very clear vision, then everybody does work together.
I first started working in film when I was 17. I was a director's assistant, an editor.
Most of my friends are assistant directors.
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