A Quote by John Frankenheimer

If you cast the picture correctly, you have a whole lot of leeway. You can make mistakes in other aspects but pull it off with the right actors. — © John Frankenheimer
If you cast the picture correctly, you have a whole lot of leeway. You can make mistakes in other aspects but pull it off with the right actors.
I have worked alone and with a cast and enjoy the process both ways. There is more back-and-forth with a full cast, and you can feed off the other actors' performance.
With 'The Last Picture Show,' Peter Bogdanovich brought the script to the company that made it. They liked it, and they gave him the money he needed to make the film. He cast it with the actors that he thought were right for the parts. Now, it's the reverse.
I think casting is really important. Finding the right sensibility for the right part is an art in itself. If you're off there, you make it harder on yourself as a director. And it's fun to work that out with the actors. I don't think there's any magic to directing actors. It's very instinctual. Working with actors is really one of my favorite creative moments of the whole process, and the most fun, because it's collaborative. I spend a lot of time rehearsing. I'm very rehearsal-oriented, probably because I have some background in theater. I like knowing what will work beforehand.
For a lot of people looking at a 19-year-old model, there's a feeling that 'I can't pull that off.' But there's so much you can pull off if you can find the confidence to look at fashion in a different way and make it unique for yourself.
I want to cast correctly, and then I want them to live on screen. If I cast the wrong actor, I'm screwed. But, if I cast the right actor, it really works out. The casting process is so important.
You make a lot of mistakes. I haven't seen that movie [The Lost World] in 20 years. But if I saw it, I'm sure I could pick out a whole lot of mistakes.
Not looking for excuses is the right thing to do. I have made a lot of mistakes, and I still make mistakes, but I am not ashamed to look for the reasons behind those mistakes.
I love working with actors. If you cast the right person in the right part at the right time, they make you look like a better writer and director than you really are.
As a fiction writer, of course, you need to take some leeway with certain aspects of history to make the story work.
I have made some mistakes. No, a lot of mistakes. If you want to develop a new thing, a lot of mistakes will be inevitable. We should be allowed to make mistakes.
One time a guy handed me a picture. He said, 'Here's a picture of me when I was younger.' Every picture is of you when you were younger. 'Here's a picture of me when I'm older.' 'You son of bit, how'd you pull that off Let me see that camera. What's it look like'
Be proud of your mistakes. Well, proud may not be exactly the right word, but respect them, treasure them, be kind to them, learn from them. And, more than that, and more important than that, make them. Make mistakes. Make great mistakes, make wonderful mistakes, make glorious mistakes. Better to make a hundred mistakes than to stare at a blank piece of paper too scared to do anything wrong.
First and foremost, with everybody we wanted to see if they can pull off the songs, play them correctly, and that they it felt right musically. That's something Mike [Mangini] did, it felt like the band. He really gets the style and delivers in a powerful metal way.
I know that I make technical mistakes from time to time. It's one of the aspects of my game that I've been working on for years. I think I've managed to reduce the number of those technical mistakes to a minimum, but occasionally, they happen. On the other hand, I do have moments of technical brilliance.
I have criticized foreign policy, but that does not mean that we should agree with everything. Indeed, we criticize a lot of things, we think that our partners make many mistakes [may be we make mistakes too, no one is immune to making mistakes], but as for the economy, I repeat that, in my opinion, the European Commission and the leading European economies are acting very pragmatically and are on the right path.
Actors pull from their own experiences to bring reality to the characters. I wouldn't want to play someone who's a lot like me. There would be no turning it on or off.
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