A Quote by John Gielgud
I never accept lengthy film roles nowadays, because I am always so afraid I will die in the middle of shooting and cause such awful problems.
Related Quotes
I was offered some film roles, and I did not do them. It would have been interesting, but I have no regrets. I am where I am; I accept and embrace the mistakes because they're character-building and they build perspective and talent.
I'm never offered any sort of roles. I need to audition in a typically lengthy process to receive roles.
I'm not very aware of styles. We never talk about styles before we start shooting, or even during shooting, because I think the film will bring you there.
If you make a film, that magic is not there, because you were there while shooting it. After writing a film and shooting it and being in the editing room every day, you can never see it clearly. I think other people's perception of your film is more valid than your own, because they have that ability to see it for the first time.
i will follow it, though i know so well now the deep wounds i might find. for as long as i believe that i am walking the true road, if i am slain, then i die in the knowledge that for a brief time, at least, i was part of somethin bigger. this road has perils and i will surely die on it,but, i am not afraid to die.
For I'm afraid of loneliness; shiveringly, terribly afraid. I don't mean the ordinary physical loneliness, for here I am, deliberately travelled away from London to get to it, to its spaciousness and healing. I mean that awful loneliness of spirit that is the ultimate tragedy of life. When you've got to that, really reached it, without hope, without escape, you die. You just can't bear it, and you die.
I am afraid of her, afraid of what she says-and thrilled by it too, because it means I don't have to accept that I am smaller than I once believed.
When I am shooting, I am inside the theatre, when I am in the editing room, I am inside the theatre. I always try to feel what they will feel. I see a film, not as a director, but as the audience. If I am entertained, they will be, too.
In publishing The First Man I said to myself, 'this is going to be awful,' but awful from the point of view of the criticism. I'm not afraid of [Albert] Camus' public. I'm afraid of what will be written in the papers.
I used to be a die-hard defender of physical film, which I still am. I love shooting on physical film and I think it's great.
Though I am born into a film family, I hardly had much exposure to shooting during my growing
years. My first film actually taught me about the breakdown of shots in a film. My aim is to do three
memorable roles in the next five years; films I can be really proud of. And I want to work with the best.
It's awful to be married to a director! He's always busy, and his jobs last for 18 months. Right now Len's shooting Live Free or Die Hard. He works from 5 A.M. until 11 P.M. I tell him, "If you had told me what it was going to be like when we met, I never would have gotten involved with you!"
Before, I wished my acting and my identity to be strictly separated. I felt uncomfortable about showing who I am because I was afraid it would affect how audiences see my performance. But now my thoughts have changed. I think people these days accept that actors and the roles they play are separate.
The first night was awful because I was so afraid, and I was never more afraid because it was going out of my character to be outgoing and to be vulnerable and to be out there and onstage. My hands were sweaty and I couldn't swallow, and I drank a bottle of wine to calm my nerves.
I thought, "Oh, my god, that's what happens every time I talk with a journalist in the middle of shooting and I talk about my character. I describe him, I objectify him, and I kill him." So, I've never spoken with a journalist in the middle of a film. I don't do the EPK until the very end of a film. I can't talk about Kiefer's process, but what he brings to the table is beautiful.
We live in a universe devoted to the creation, and eradication, of awareness. Augustus Waters did not die after a lengthy battle with cancer. He died after a lengthy battle with human consciousness, a victim - as you will be - of the universe's need to make and unmake all that is possible.
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