A Quote by John Green
My parents always liked it when I cursed in front of them. I could see the pleasure of it in their faces. It signified that I trusted them, that I was myself in front of them.
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My problem with my parents growing up was not that I was afraid to cry in front of them - they always wanted me to cry because they wanted me to be okay, but it felt kind of icky and gross to cry in front of my parents. So my problem was the polar opposite - I didn't want to cry in front of them because I didn't want to give them the satisfaction.
Even my family laughed at me because they thought this young guy who's always stuttering in front of other people should be in front of 100 musicians and talk to them and leading them.
I started thinking about what I've always been interested in: how people can't see things that are right in front of them. All you have to do is read the papers to see endless examples of smart people who can't see the nose on their faces.
I'd trusted my fan base, I'd trusted the my gut, and I'd trusted the music. ...the real experts are out there in front of you every night. They're the ones buying the tickets and coming to the shows. They're the professionals in this business, and they're the only ones who can tell you which songs have the ability to move them.
Everything I do is for my parents, None of this matters without them. If it weren't for them, I wouldn't be here... If it wasn't for them, if it wasn't for the structure and the backbone that I have, I wouldn't be able to mess up and keep coming back and sit in front of you as a world champion.
I stalk certain words... I catch them in mid-flight, as they buzz past, I trap them, clean them, peel them, I set myself in front of the dish, they have a crystalline texture to me, vibrant, ivory, vegetable, oily, like fruit, like algae, like agates, like olives... I stir them, I shake them, I drink them, I gulp them down, I mash them, I garnish them... I leave them in my poem like stalactites, like slivers of polished wood, like coals, like pickings from a shipwreck, gifts from the waves... Everything exists in the word.
Most people see what they expect to see, what they want to see, what they've been told to see, what conventional wisdom tells them to see - not what is right in front of them in its pristine condition.
I'm really bad at doing my hair, so the front always looks a little bit off. I think that the front is the most important in terms of the whole look. So, because the front layers just get awkward sometimes, I feel like I have to clip them back.
But also... well, you and I will both be Lissa's gaurdians someday. I need to protect her at all cost. If a pack of Strogoi come, I need to throw my body between them and her." "I know that. Of course that's what you have to do." The black sparkles were dancing in front of my eyes again. I was fading out. "No. If I let myself love you, I won't throw myself in front of her. I'll throw myself in front of you.
I always felt like I was stuck in between my parents, relaying information back and forth and walking on egg shells, not knowing what was going to trigger something to make them mad and not knowing what to say in front of them.
I really trust the authenticity of real people and my job is to get them to be themselves in front of the camera. Often what happens is, you'll get a newcomer in front of the camera and they'll freeze up or they imitate actors or other performances that they've admired and so they stop becoming themselves. And so my job as the director is just to always return them to what I first saw in them, which was simply an uncensored human being.
When you're not playing up to your capability, you gotta try everything, to motivate, to get them going. All of them have to be on the same end of the rope to pull together. It's playing for the name on the front of the shirt, not the back. Individualism gets you trophies and plaques. Play for the front, that wins championships. I try to remind them of that.
This is the blessed life-not anxious to see far in front, nor eager to choose the path, but quietly following behind the Shepherd, one step at a time. The Shepherd was always out in front of the sheep. He was down in front. Any attack upon them had to take him into account. Now God is down in front. He is in the tomorrows. It is tomorrow that fills men with dread. God is there already. All the tomorrows of our life have to pass Him before they can get to us.
Paintings are not like the Internet. They're not like movies. They're not electronic-friendly. You have to go see them. You have to stand in front of them. That's the great thing about them.
When you feel that you are at the end of your path and there is a ten foot high brick wall right there in front of you, and you have nowhere to go but backwards, break down that wall and move forward. There are great and wonderful things on the other side of that wall... and, they have always been there. Let nothing divide you from what you need to do in life, and see the solutions that are right in front of you. The key is, you must break down what separates you from them and choose to find them.
On my way to the office in the morning, there are, in front of me, behind me, other men going to their jobs. I see them; if I dared, I would smile at them. I think to myself that I am a socialist, that they are the purpose of my life, of my efforts and that they do not know it yet.
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